American essays -- 19th century; Literature -- History and criticism
had no share in this universal and unbounded applause. Miss Edgeworth
was as much the pet of the literary world as of her own household and
friends. She had little need to doubt her powers, or to fear neglect
and indifference. If she really regretted poor M. Edelcrantz—who went
back to Sweden with a sore heart and never married anybody else—she gave
no outward token of repentance, but lived to be eighty-two, the most
cheerful and radiant of old maids, faithful to the last to her family
affections, and happy to die in the midst of those who had made the
sunshine of her life.
It is in the case of Miss Austen, however, that truly strenuous efforts
have been made to cultivate a passable romance upon scanty soil. Miss
Austen was pretty, she was gay, she possessed an indefinable attraction
for men, and she was in turn attracted by them, as a healthy-minded,
happy-hearted girl should be. Her letters to Cassandra are full of
amusing confidences on the subject—confidences far too amusing, in fact,
to give any sign or token of genuine feeling beyond. She writes with
buoyant cheerfulness about Mr. Tom Lefroy, for whom she “does not care
sixpence,” yet prefers him to all other competitors, who must have ranked
pitiably low in the scale. “I am almost afraid,” she confesses, “to tell
you how my Irish friend and I behaved. Imagine to yourself everything
most profligate and shocking in the way of dancing and sitting down
together. I _can_ expose myself, however, _only once more_, because he
leaves the country soon after next Friday, on which day we _are_ to have
a dance at Ashe after all. He is a very gentlemanlike, good-looking,
pleasant young man, I assure you.”
Public-domain text, read in full here on John Shaqi.
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