Essays in the Art of WritingStevenson, Robert Louis
History
Essays in the Art of Writing
Stevenson, Robert Louis
Authorship; Literature -- History and criticism; Stevenson, Robert Louis, 1850-1894 -- Authorship
family recoiled before the extreme measure of inflicting on our guest the
mutilated members of _The Sea Cook_; at the same time, we would by no
means stop our readings; and accordingly the tale was begun again at the
beginning, and solemnly re-delivered for the benefit of Dr. Japp. From
that moment on, I have thought highly of his critical faculty; for when
he left us, he carried away the manuscript in his portmanteau.
Here, then, was everything to keep me up, sympathy, help, and now a
positive engagement. I had chosen besides a very easy style. Compare it
with the almost contemporary ‘Merry Men’, one reader may prefer the one
style, one the other—’tis an affair of character, perhaps of mood; but no
expert can fail to see that the one is much more difficult, and the other
much easier to maintain. It seems as though a full-grown experienced man
of letters might engage to turn out _Treasure Island_ at so many pages a
day, and keep his pipe alight. But alas! this was not my case. Fifteen
days I stuck to it, and turned out fifteen chapters; and then, in the
early paragraphs of the sixteenth, ignominiously lost hold. My mouth was
empty; there was not one word of _Treasure Island_ in my bosom; and here
were the proofs of the beginning already waiting me at the ‘Hand and
Spear’! Then I corrected them, living for the most part alone, walking
on the heath at Weybridge in dewy autumn mornings, a good deal pleased
with what I had done, and more appalled than I can depict to you in words
at what remained for me to do. I was thirty-one; I was the head of a
family; I had lost my health; I had never yet paid my way, never yet made
£200 a year; my father had quite recently bought back and cancelled a
book that was judged a failure: was this to be another and last fiasco?
I was indeed very close on despair; but I shut my mouth hard, and during
the journey to Davos, where I was to pass the winter, had the resolution
to think of other things and bury myself in the novels of M. de
Boisgobey. Arrived at my destination, down I sat one morning to the
unfinished tale; and behold! it flowed from me like small talk; and in a
second tide of delighted industry, and again at a rate of a chapter a
day, I finished _Treasure Island_. It had to be transcribed almost
exactly; my wife was ill; the schoolboy remained alone of the faithful;
and John Addington Symonds (to whom I timidly mentioned what I was
engaged on) looked on me askance. He was at that time very eager I
should write on the characters of Theophrastus: so far out may be the
judgments of the wisest men. But Symonds (to be sure) was scarce the
confidant to go to for sympathy on a boy’s story. He was large-minded;
‘a full man,’ if there was one; but the very name of my enterprise would
suggest to him only capitulations of sincerity and solecisms of style.
Well! he was not far wrong.
Public-domain text, read in full here on John Shaqi.
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