Essays in Zen Buddhism : $b First seriesSuzuki, Daisetz Teitaro
Religion
Essays in Zen Buddhism : $b First series
Suzuki, Daisetz Teitaro
Zen Buddhism
Samadhi and dhyana are to a great extent synonymous and
interchangeable, but strictly samadhi is a psychological state
realised by the exercise of dhyana. The latter is the process and
the former is the goal. The Buddhist scriptures make reference to so
many samadhis, and before delivering a sermon the Buddha generally
enters into a samadhi,[f41] but never I think into a dhyana. The
latter is practised or exercised. But frequently in China dhyana and
samadhi are combined to make one word, _ch‘an-ting_;[2.3] meaning a
state of quietude attained by the exercise of meditation or dhyana.
There are some other terms analogous to these two which are met with
in Buddhist literature as well as in other Indian religious systems.
They are _Saṁpatti_ (coming together), Samāhita (collecting the
thoughts), Śamatha (tranquillisation), _Cittaikāgratā_ (concentration),
_Dṛishta-dharma-sukha-vihāra_ (abiding in the bliss of the Law
perceived), _Dhāraṇi_ or _Dhāraṇa_ (abstraction), etc. They are all
connected with the central idea of dhyana, which is to tranquillise
the turbulence of self-assertive passions and to bring about a state
of absolute identity in which the truth is realised in its inwardness,
that is, a state of Enlightenment. The analytical tendency of
philosophers is also evident in this when they distinguish four or
eight kinds of dhyana.[f42]
The first dhyana is an exercise in which the mind is made to
concentrate on one single subject until all the coarse affective
elements are vanished from consciousness except the serene feelings
of joy and peace. But the intellect is still active, judgment and
reflection operate upon the object of contemplation. When these
intellectual operations too are quieted and the mind is simply
concentrated on one point, it is said that we have attained the second
dhyana, but the feelings of joy and peace are still here. In the third
stage of dhyana, perfect serenity obtains as the concentration grows
deeper, but the subtlest mental activities are not vanished and at the
same time a joyous feeling remains. When the fourth and last stage
is reached, even this feeling of self-enjoyment disappears, and what
prevails in consciousness now is perfect serenity of contemplation. All
the intellectual and the emotional factors liable to disturb spiritual
tranquillity are successively controlled, and mind in absolute
composure remains absorbed in contemplation. In this there takes
place a fully-adjusted equilibrium between Samatha and Vipasayana,
that is, between tranquillisation or cessation and contemplation. In
all Buddhist discipline this harmony is always sought after. For when
the mind tips either way, it grows either too heavy (_styānam_) or
too light (_auddhatyam_), either too torpid in mental activity or too
given up to contemplation. The spiritual exercise ought to steer ahead
without being hampered by either tendency, they ought to strike the
middle path.
Public-domain text, read in full here on John Shaqi.
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