Essays of Robert Louis Stevenson: Selected and Edited With an Introduction and Notes by William Lyon PhelpsStevenson, Robert Louis
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Essays of Robert Louis Stevenson: Selected and Edited With an Introduction and Notes by William Lyon Phelps
Stevenson, Robert Louis
Essays
[Note 12: _Job_ ... _Walt Whitman_. The book of _Job_ is usually
regarded as the most poetical work in the Bible, even exceeding
_Psalms_ and _Isaiah_ in its splendid imaginative language and
extraordinary figures of speech. For a literary study of it, the
student is recommended to Professor Moulton's edition. Omar Khayyam
was a Persian poet of mediaeval times, who became known to English
readers through the beautiful paraphrase of some of his stanzas by
Edward Fitzgerald, in 1859. If any one will take the trouble to
compare a literal prose rendering of Omar (as in N.H. Dole's variorum
edition) with the version by Fitzgerald, he will speedily see that the
power and beauty of the poem is due far more to the skill of "Old
Fitz" than to the original. Thomas Carlyle (1795-1881) was perhaps the
foremost writer of English prose in the nineteenth century. Although a
consummate literary artist, he was even more influential as a moral
tonic. His philosophy and that of Omar represent as wide a contrast as
could easily be found. Walt Whitman, the strange American poet
(1819-1892), whose famous _Leaves_ _of Grass_ (1855) excited an uproar
in America, and gave the author a much more serious reputation in
Europe. Stevenson's interest in him was genuine, but not partisan, and
his essay, _The Gospel According to Walt Whitman (The New Quarterly
Magazine_, Oct. 1878), is perhaps the most judicious appreciation in
the English language of this singular poet. Job, Omar Khayyam, Carlyle
and Whitman, taken together, certainly give a curious collection of
what the Germans call _Weltanschauungen_.]
[Note 13: _A vapour, or a show, or made out of the same stuff with
dreams_. For constant comparisons of life with a vapour or a show, see
Quarles's _Emblems_ (1635), though these conventional figures may be
found thousands of times in general literature. The latter part of the
sentence refers to the _Tempest_, Act IV, Scene I.
"We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep."]
[Note 14: _Permanent Possibility of Sensation_. "Matter then, may be
defined, a Permanent Possibility of Sensation."--John Stuart Mill,
_Examination of Sir William Hamilton's Philosophy_, Vol. I. Chap. XI.]
Public-domain text, read in full here on John Shaqi.
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