Essays towards the history of paintingCallcott, Maria, Lady
History
Essays towards the history of painting
Callcott, Maria, Lady
Painting -- History
A little before the building of the temple we must place the
construction of the tomb of Absalom, part hewn in the rock, and part
built; which resembles in those particulars, and, in my mind, surpasses
in taste, many of those described and figured by late travellers in
Asia minor; while I should say, the cavern tombs of the kings of
Judah have a resemblance to those of Egypt, or rather, perhaps, to
the curious excavations discovered by late travellers, at Petra in
Edom[76]. These are surely proofs that the arts were flourishing as
freely in Syria, as in Asia Minor at that time.
But, to return to Greece. About seven centuries before the Christian
era, the temple of Delphi was enriched by a number of most precious
gifts by some of the kings of Asia. Gyges, whose story has served for
the foundation of so many charming tales of enchantment and fairyism,
sent to the god at Delphi the first foreign offering, or, as the
Greeks term it, the first gift from a barbarian[77]. It consisted of
vessels of gold, silver, and brass; among which, six golden goblets,
particularly valued, were afterwards placed, in a chest or cupboard
called the treasury of Corinth, which was presented by Cypselus[78]
to the shrine, some years afterwards. Midas had by a short time
anticipated the gifts of Gyges, consecrating to the Delphian Apollo
the throne whence he dispensed justice, said to be of exquisite
workmanship[79].
Halyatus, the great-grandson of Gyges, sent a vase to Delphi, precious
for its material, but still more precious on account of the workmanship
of the under cup which supported it. The vase was of chased silver, the
under cup of iron curiously inlaid with silver, the work of Glaucus of
Phocis, said to be the inventor of that kind of work in metal. This
was the only one of the gifts of the Lydian kings that remained when
Pausanias visited the temple.
Indeed, the magnificent presents sent by Crœsus, the son of Halyatus,
would have been sufficient to tempt the cupidity of a conqueror, and
perhaps to overcome the honesty of the priests of Delphi themselves. Of
pure gold there were a hundred and seventeen bricks or tiles, forming
the floor for a lion of great size, of the same metal, and the statue
of a woman said to have baked the bread for the king’s household.
These were taken by the Phocians to defray the expenses of the sacred
war. There were also many beautiful chiselled vases of gold and
silver, basins, ewers, fountains, and cisterns. One goblet of silver
was particularly precious; it was said to be the work of Theodorus of
Samos[80], one of the earliest founders in bronze.
Crœsus also enriched other temples with precious gifts. The great
temple at Ephesus possessed three golden heifers and some fine columns
given by him. The shrines of Thebes in Bœotia, were enriched by him;
and to the temples in Miletus, he had sent gifts of equal value with
those he consecrated at Delphi.
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