The winged Vanth in the François tomb seems to be one of the benevolent
demons of the underworld, the Lasas. Such a one also appears in a door
panel in the Tomba Golini, already frequently cited: here she has
wings, snakes in her girdle, and a scroll in her hand (fig. 40). She
is evidently either receiving or escorting the dead, a young man in a
mantle, who stands in a biga with running horses; in the inscription
above him the word Larth can easily be read, proving that he is not a
professional charioteer, but a young man of high standing. His arrival
in the underworld is greeted by a trumpeter, painted over the door. We
may notice here that the ‘Tyrrhenian trumpet’ was famous far and wide
and was even introduced into Greece; it is mentioned several times in
Greek tragedies.[110] The curved trumpet here seen is also depicted on
a wall in the Tomba degli Scudi at Corneto and, like the curved staff
of the augurs, was adopted by the Romans, who designated both of them
by the name of lituus; Cicero maintains that the lituus-trumpet was
the earlier of the two and gave its form and name to the lituus-staff,
the badge of the augurs. The introduction of the lituus-staff was
attributed to Romulus, and his sacred staff was said to have been
rediscovered by a miracle in the time of Camillus.[111]
[Illustration: FIG. 39. WALL-PAINTING FROM THE TOMBA FRANÇOIS AT VULCI]
[Illustration: FIG. 40. PAINTING IN THE TOMBA GOLINI AT ORVIETO]
[Illustration: FIG. 41. PAINTING FROM THE TOMBA DELLA PULCELLA]
The scroll in the hand of the female demon, referred to above,
presumably contained an account of the good actions of the dead, to be
used when he presented himself before the throne of Hades. The good
genius herself is seen at work in a small panel of the Tomba degli
Scudi, where she is scratching an inscription on a tablet (cp. fig.
27), while another holds a torch upside down. Both these figures are
repeated in the reliefs of the Etruscan cinerary urns and pass directly
into the plastic art of Roman sarcophagi as two allegorical figures:
Fama, who writes the merits of the dead on a tablet, and the genius of
Death with torch inverted.
[Sidenote: CEREMONY OF THE CERECLOTH]
Public-domain text, read in full here on John Shaqi.
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