Euripides -- Criticism and interpretation; Mythology, Greek, in literature; Tragedy
Euripides must have been brooding on the crime of Melos during the
autumn and winter. In the spring, when the great fleet was still getting
ready to sail, he produced a strange play, the work rather of a prophet
than a mere artist, which was reckoned in antiquity as one of his
masterpieces but which set a flame of discord for ever between himself
and his people. One would like to know what Archon accepted that play
and what rich man gave the chorus. It was called _The Trojan Women_, and
it tells of the proudest conquest wrought by Greek arms in legend, the
taking of Troy by the armies of Agamemnon. But it tells the old legend
in a peculiar way. Slowly, reflectively, with little stir of the blood,
we are made to look at the great glory, until we see not glory at all
but shame and blindness and a world swallowed up in night. At the very
beginning we see gods brooding over the wreck of Troy; as they might be
brooding over that wrecked island in the Aegean, whose walls were almost
as ancient as Troy's own. It is from the Aegean that Poseidon has risen
to look upon the city that is now a smoking ruin, sacked by the Greeks.
"The shrines are empty and the sanctuaries run red with blood." The
unburied corpses lie polluting the air; and the conquering soldiers,
home-sick and uneasy, they know not why, roam to and fro waiting for a
wind that will take them away from the country they have made horrible.
Such is the handiwork of Athena, daughter of Zeus! (47).
The name gives one a moment of shock. Athena is so confessedly the
tutelary goddess of Athens. But Euripides was only following the regular
Homeric story, in which Athena had been the great enemy of Troy, and the
unscrupulous friend of the Greeks. Her name is no sooner mentioned than
she appears. But she is changed. Her favourites have gone too far; they
have committed "Hubris," insulted the altars of the gods and defiled
virgins in holy places. Athena herself is now turned against her people.
Their great fleet, flushed with conquest and stained with sin, is just
about to set sail: Athena has asked Zeus the Father for vengeance
against it, and Zeus has given it into her hand. She and Poseidon swear
alliance; the storm shall break as soon as the fleet sets sail, and the
hungry rocks of the Aegean be glutted with wrecked ships and dying men
(95 ff.).
How are ye blind
Ye treaders down of Cities; ye that cast
Temples to desolation and lay waste
Tombs, the untrodden sanctuaries where lie
The ancient dead, yourselves so soon to die!
And the angry presences vanish into the night. Were the consciences of
the sackers of Melos quite easy during that prologue?
Public-domain text, read in full here on John Shaqi.
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