As for the keeper of a fashionable cafe on a boulevard or in the Rue de
la Paix--well, alongside of him the most rapacious restaurant proprietor
on Broadway is a kindly, Christian soul who is in business for his
health--and not feeling very healthy at that. When you dine at one of
the swagger boulevard places the head waiter always comes, just before
you have finished, and places a display of fresh fruit before you, with
a winning smile and a bow and a gesture, which, taken together, would
seem to indicate that he is extending the compliments of the season and
that the fruit will be on the house; but never did one of the intriguing
scoundrels deceive me. Somewhere, years before, I had read statistics on
the cost of fresh fruit in a Paris restaurant, and so I had a care. The
sight of a bunch of hothouse grapes alone was sufficient to throw me
into a cold perspiration right there at the table; and as for South
African peaches, I carefully walked around them, getting farther away
all the time. A peach was just the same as a pesthouse to me, in Paris.
Alas though! no one had warned me about French oysters, and once--just
once--I ate some, which made two mistakes on my part, one financial and
the other gustatory. They were not particularly flavorous oysters as we
know oysters on this side of the ocean. The French oyster is a small,
copper-tinted proposition, and he tastes something like an indisposed
mussel and something like a touch of biliousness; but he is sufficiently
costly for all purposes. The cafe proprietor cherishes him so highly
that he refuses to vulgarize him by printing the asking price on the
same menu. A person in France desirous of making a really ostentatious
display of his affluence, on finding a pearl in an oyster, would swallow
the pearl and wear the oyster on his shirtfront. That would stamp him as
a person of wealth.
However, I am not claiming that all French cookery is ultra-exorbitant
in price or of excessively low grade. We had one of the surprises of our
lives when, by direction of a friend who knew Paris, we went to a
little obscure cafe that was off the tourist route and therefore--as
yet--unspoiled and uncommercialized. This place was up a back street
near one of the markets; a small and smellsome place it was, decorated
most atrociously. In the front window, in close juxtaposition, were a
platter of French snails and a platter of sticky confections full
of dark spots. There was no mistaking the snails for anything except
snails; but the other articles were either currant buns or plain buns
that had been made in an unscreened kitchen.
Public-domain text, read in full here on John Shaqi.
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