Isaac grew up tall and handsome, went to school and to college, and in spite of numerous prophecies that he would never be good for anything, neither went into debt nor disgraced himself in any way. In due course of time he succeeded to his father’s business, and astonished every one by making money and being successful, in spite of his tasteful dress, his “wild ways” of talking and a report that he actually wrote poetry. At the present time he was devoted to Miss Anna Jane Shuttleworth, a beautiful still image of a girl, who was supposed to have a great fund of good sense, propriety, prudence and piety, because she liked to sit still and sew from morning to night, and hardly ever opened her lips. Ichabod Sterns was the old clerk of Isaac’s father. He and his young master exasperated each other in many ways, but they were fond of each other for all that. From the counting-house on the wharf and the talk with Ichabod Sterns, Master Torrey went to the workshop of Job Chippit, who in those days was famous for his skill in the carving of figure-heads. In these times Job would probably have been a sculptor, have gone to Rome and been famous in marble and bronze. But the idea of such a thing had never entered his brain, and he went on from year to year making his wooden figures without any thought of a higher calling. He was a little dried, brown old man, with bright eyes slightly near-sighted. Year after year he carved Indian chiefs, eagles and wooden maidens for the Sally Anns and Susan Janes that sailed from the New England ports, portraits of public men, likenesses of William and Mary. He had once made a full-length figure of Oliver Cromwell for a certain stiff-necked old merchant of Boston who called his best ship after the great Protector--a statue which every one thought his finest work. “It was so natural,” said the good folks of Salem, and really I don’t know that they could have said anything better even if they had been art critics and had written for the newspapers. True it was that all Job’s works had a certain live look to them that was almost startling sometimes. The Indians clenched their hatchets with a savageness quite alarming; they looked as though they might open their wooden lips and whoop. His female figures had life and character. Each governor, senator or general had his own peculiar expression and style. Job was an artist, and, what was more, he was a well-paid artist. He quite appreciated his own genius, and got almost any prices he liked to ask for his signs and figure-heads. Job was the fashion, and no ship of any pretension sailed from a harbor along the coast but carried one of his masterpieces on the bow. As Master Torrey entered his shop he was just putting the last touches of paint on an oaken bust destined to adorn Captain Peabody’s little schooner, The Flora. “So you have nearly finished The Flora’s figure-head,” said Master Torrey, whose tastes led him to be a frequent visitor at Job’s shop.