Men who know to the centime each fluctuation of the wheat-market have
no eye for the tawny beauty of a whole field of the precious product
fluctuating to a breeze. Women stayed by steel and convention into the
mold of form love the soft faces of flowers looking up at them from
expensive corsages, but care not for their nativity. Greeks, first of
men, perched their gods up on Olympus and wandered down to build cities.
Because the city is as insidious as the sleeping-draught of an Indian
soothsayer, under its spell men go mad for gain and forget that to stand
on the brow of a mountain at night, arms outstretched in kinship to Vega
and Capella, is a golden moment of purer alloy than certified bonds.
What magnate remembers where the best tackle squirms, or the taste of
grass sucked in from the tender end of the blade? All progress is like
that. How immediately are the yesterdays metamorphosed into memories;
and memories, even the stanchest of them, mold and disintegrate.
There were times when Mrs. Simon Meyerburg, who was threescore and ten
years removed from the days when her bare feet had run fleet across a
plushy meadow, would pause, hand on brow, when a memory, perhaps moving
as it crumpled, would pass before her in faded daguerreotype. A gallery
of events--so many pictures faded from her mental walls that the gaps
seemed, as it were, to separate her from herself, making of her and
that swift-footed girl back there vague strangers. And yet the vivid
canvases! A peasant child at a churn, switching her black braids this
way and that when they dangled too far over her shoulders; a linnet dead
in its cage outside a thatched doorway, and the taste of her first heart
tears; a hand-made crib in a dark corner and hardly ever empty of a
little new-comer.
Then gaps, except here and there a faded bit. Then again large memories
close and full of color: Simon Meyerburg, with the years folded back
and youth on him, wooing her beside a stile that led off a South German
country road, his peasant cap fallen back off his strong black curls,
and even then a seer's light in his strong black eyes. Her own black
eyes more diffident now and the black braids looped up and bound in
a tight coronet round her head. The voice of the mother calling her
homeward through cupped hands and in the Low Dutch of the Lowlands. A
moonrise and the sweet, vivid smell of evening, and once more the youth
Simon Meyerburg wooing her there beside the roadside stile.
Public-domain text, read in full here on John Shaqi.
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