Ewing awoke late the next morning, rejoicing that he need not cook his
breakfast. After feeding his hill-born hunger with novel and exciting
foods he sauntered out to become a wave on the tide that flooded those
strange, heart-shaking streets. He mentally blazed his trail as he went.
His soul marched to the swift and cheerful stepping of the life about
him. He remembered Ben's warnings and wished that expert in urban evil
could see how little menacing was this splendid procession. That the
Saturday throng of shoppers and pleasure seekers was unaware of the
greatness of the moment to him lent a zest of secrecy to his scouting.
Back and forth he wandered on Broadway, the moving crowds, volatile as
quicksilver, holding him with a hypnotic power. Often he stopped before
some shop, hotel, or theater that he had come to know in print. Not
until five o'clock did he find that he was leg weary. Then he took his
bearings and, in his own phrase, "made back to camp."
A boy brought him Piersoll's card at six, and Piersoll followed. He came
with that alert self-possession which Ewing had come to consider typical
of these dwellers in a crowd where each is the inconsiderable part of a
great organic body, and must yet preserve his unique oneship.
"Bully old place, this," Piersoll began. "My mother came to balls here
thirty years ago. Show me your stuff."
He dropped into one of the armchairs and lighted a cigarette.
Ewing opened a portfolio and placed drawings along the wall. Piersoll
slid his chair closer and studied them.
"They're only little things I've seen," murmured Ewing. "I haven't had a
chance to see much."
Piersoll blew out smoke and arose to put one of the drawings in a better
light. He gazed at this closely, swept his eye again over the others,
and exclaimed, "All right! Bully! Good drawing, and the real thing.
That's the point--you've drawn only what you've seen. They're not all
equally interesting, but they're all true. You'll do."
"I'm glad you like them. I never knew if they were good."
"They're better than I expected, from Mrs. Laithe's talk. She was so
keen about them, I made allowances."
"Mrs. Laithe seemed to think I might sell them."
"Some of those you can sell, undoubtedly. The others show what you can
do. They'll get your orders. The magazines are using a lot of Western
stuff. That ranchman's wife there in her poor little flower garden,
surrounded by a million miles of sage and cactus--fine! It's a story
picture, and the story's good. The Knickerbocker might use that. They
might want a series from you--six drawings or so--'Scenes of Ranch
Life.'"
"It sounds too good."
"It's not, and you'll get stories to illustrate. Can you draw a pretty
cowboy?"
"Pretty?"
Public-domain text, read in full here on John Shaqi.
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