At S. Carlo’s instance Pellegrino Pellegrini, called Tibaldi, made a new design for the Sacro Monte, which was happily never carried out, but which I am told involved the destruction of many of the earlier chapels. He made the plan of the Sacro Monte as it stood in his time, which I have already referred to, and designed the many chapels mentioned in the 1586 edition of Caccia as about to be built. Prominent among these was the Temple of Solomon, which was to involve “_una spesa grandissima_,” and was to be as like the real temple as it could be made. Inside it were to be groups of figures representing Christ driving out those that bought and sold, and it was to have a magnificent marble portico. The Palazzo di Pilato, which, as the name denotes, is devoted to the sufferings of Christ under Pontius Pilate, was actually carried out, though not till some years after S. Carlo’s death, and not according to Pellegrini’s design. It is most probable that the designer of the Palazzo di Pilato, and of the Caiaphas and Herod chapels as we now see them, was Giovanni d’Enrico. “It was in 1608,” says Bordiga, {66} writing of the Santa Scala, which leads from the Crowning with Thorns to the Ecce Homo chapels, and which, one would say, must have been one of the first things done when the Palazzo di Pilato was made, “that this work with its steps, exactly twenty-eight in number, was begun, according to the design obtained from Rome by Francesco Testa, who was then Fabbriciere. This is for the information of those who think it is the work of Pellegrini.” Between this year and 1645 the four Pilate chapels, the Ecce Homo, Caiaphas, Herod, present Pietà, Sleeping Apostles, Agony in the Garden, and Christ Nailed to the Cross chapels were either created or reconstructed. These works bear d’Enrico’s name in the guide-books, and he no doubt presided over the work that was done in them; but I should say that by far the greater number of the figures in them are by Giacomo Ferro, his assistant, to whom I will return presently, or by other pupils and assistants. Only one chapel, the Transfiguration, belongs to the second half of the seventeenth century, and one, the Christ before Annas, to the eighteenth (1765); one—the present Entombment—belongs to the nineteenth, and one or two have been destroyed, as has been unfortunately the case with the Chiesa Vecchia; but the plan of the Sacro Monte in 1671, which I here give, will show that it was not much different then from what it is at present. The numbers on the chapels are explained as follows:— 1. Gate. 2. Creation of the world and Adam and Eve. 3. Annunciation. 4. Salutation. 5. First vision of St. Joseph. 6. Magi. 7. Nativity. 8. Circumcision. 9. Second vision of St. Joseph. 10. Flight into Egypt. 11. Massacre of the Innocents. 12. Baptism. 13. Temptation. 14. Woman of Samaria. 15. Healing the Paralytic. 16. Widow’s son at Nain.