Some say that the work on the Sacro Monte was almost discontinued between the years 1540 and 1580. I cannot, however, find that this was so, though it appears to have somewhat flagged. I cannot tell whether Tabachetti came to Varallo before S. Carlo or after him. If before, then a good deal of the second impetus may be due to the sculptor rather than to the saint; if after, and as a consequence of S. Carlo’s visit, then indeed S. Carlo must be considered as the second founder of the place; but whatever view is taken about this, S. Carlo’s visit in 1578 is convenient as marking a new departure in the history of the Sacro Monte, and he may be fairly called its second founder. Giussano gives the following account of his first visit, which makes us better understand the austere expression that reigns on S. Carlo’s face, as we see it represented in his portraits:— “It was two o’clock in the day before St. Charles arrived at this place, and he had not broken his fast, but before taking anything he visited the different chapels for meditation, of which Father Adorno gave him the points. As evening drew on, he withdrew to take his refection of bread and water, and then returned again to the chapels till after midnight though the weather was very cold” [end of October or beginning of November]. “He then took two hours’ rest on a chair, and at five o’clock in the morning resumed his devotions; then, after having said his Mass, he again allowed himself a small portion of bread and water, and continued his journey to Milan, renewed in fervour of spirit, and with a firm determination to begin again to serve God with greater energy than ever.” {65} Surely one may add “according to his lights” after the words “to serve God.” The second visit of St. Charles to Varallo, a few days before his death, is even more painful reading, and the reader may be referred for an account of it to chapter xi. of the second volume of the work last quoted from. He had a cell in the cloister, where he slept on a wooden bed, which is still shown and venerated, and used to spend hours in contemplating the various sacred mysteries, but most especially the Agony in the Garden, near which a little shelter was made for him, and in which he was praying when his impending death was announced to him by an angel. But this chapel, which was near the present Transfiguration Chapel, was destroyed and rebuilt on its present site after his death, as also the Cena Chapel, which originally contained frescoes by Bernardino Lanini. It was on the Sacro Monte that S. Carlo discharged his last public functions, after which, feeling that he had taken a chill, he left Varallo on the 29th of October 1584, and died at Milan six days afterwards.