Now our path begins to ascend gradually to the top of this high hill,
from whose precipitous south side we can look over the broad country,
of forest and field and river, to the distant snowy mountains. See
yonder thin column of smoke curling up through the woods from some
invisible farm-house; the standard raised over some rural homestead.
There must be a warmer and more genial spot there below, as where we
detect the vapor from a spring forming a cloud above the trees. What
fine relations are established between the traveller who discovers this
airy column from some eminence in the forest, and him who sits below.
Up goes the smoke as silently and naturally as the vapor exhales from
the leaves, and as busy disposing itself in wreathes as the housewife
on the hearth below. It is a hieroglyphic of man’s life, and suggests
more intimate and important things than the boiling of a pot. Where its
fine column rises above the forest, like an ensign, some human life has
planted itself,—and such is the beginning of Rome, the establishment of
the arts, and the foundation of empires, whether on the prairies of
America, or the steppes of Asia.
And now we descend again to the brink of this woodland lake, which lies
in a hollow of the hills, as if it were their expressed juice, and that
of the leaves, which are annually steeped in it. Without outlet or
inlet to the eye, it has still its history, in the lapse of its waves,
in the rounded pebbles on its shore, and in the pines which grow down
to its brink. It has not been idle, though sedentary, but, like Abu
Musa, teaches that “sitting still at home is the heavenly way; the
going out is the way of the world.” Yet in its evaporation it travels
as far as any. In summer it is the earth’s liquid eye; a mirror in the
breast of nature. The sins of the wood are washed out in it. See how
the woods form an amphitheatre about it, and it is an arena for all the
genialness of nature. All trees direct the traveller to its brink, all
paths seek it out, birds fly to it, quadrupeds flee to it, and the very
ground inclines toward it. It is nature’s saloon, where she has sat
down to her toilet. Consider her silent economy and tidiness; how the
sun comes with his evaporation to sweep the dust from its surface each
morning, and a fresh surface is constantly welling up; and annually,
after whatever impurities have accumulated herein, its liquid
transparency appears again in the spring. In summer a hushed music
seems to sweep across its surface. But now a plain sheet of snow
conceals it from our eyes, except where the wind has swept the ice
bare, and the sere leaves are gliding from side to side, tacking and
veering on their tiny voyages. Here is one just keeled up against a
pebble on shove, a dry beech-leaf, rocking still, as if it would start
again. A skilful engineer, methinks, might project its course since it
fell from the parent stem. Here are all the elements for such a
calculation.
Public-domain text, read in full here on John Shaqi.
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