But not in the inn do the shepherds find the happy parents--the spring-tide of the unusual immigration had completely flooded that, leaving no standing-place for the son and daughter of David--but they find them in a stable, probably in some adjoining cave, the swaddled Child, as the angels had foretold, lying in the manger. Art has lingered reverently and long over this stable scene, hiding with exquisite draperies its baldness and meanness, and lighting up its darkness with wreaths of golden glory; but these splendours are apocryphal, existing only in the mind of the beholder; they are the luminous mist of an adoring love. What the shepherds do find is an extemporized apartment, mean in the extreme; two strangers fresh from Nazareth, both young and both poor; and a new-born infant asleep in the manger, with a group of sympathizing spectators, who have brought, in the emergency, all kinds of proffered helps. It seems a strange ending for an angel-song, a far drop from the superhuman to the subhuman. Will it shake the faith of these apostle-shepherds? Will it shatter their bright hope? And chagrined that their auroral dream should have so poor a realization, will they return to their flocks with heavy hearts and sad? Not they. They prostrate themselves before the Infant Presence, repeating over and over the heavenly words the angels had spoken unto them concerning the Child, and while Mary announces the name as "Jesus," they salute Him, as the angels had greeted Him before, as Saviour, Messiah, Lord; thus putting on the head of the Child Jesus that triple crown, symbol of a supremacy which knows no limit either in space or time. It was the _Te Deum_ of a redeemed humanity, which succeeding years have only made more deep, more full, and which in ever-rising tones will yet grow into the Alleluias of the heavens. Saviour, Messiah, Lord! these titles struck upon Mary's ear not with surprise, for she has grown accustomed to surprises now, but with a thrill of wonder. She could not yet spell out all their deep meaning, and so she pondered "them in her heart," hiding them away in her maternal soul, that their deep secrets might ripen and blossom in the summer of the after-years. The shepherds appear no more in the Gospel story. We see them returning to their task "glorifying and praising God for all the things that they had heard and seen," and then the mantle of a deep silence falls upon them. As a lark, rising heavenward, loses itself from our sight, becoming a sweet song in the sky, so these anonymous shepherds, these first disciples of the Lord, having laid their tribute at His feet--in the name of humanity saluting the Christ who was to be--now pass out of our sight, leaving for us the example of their heavenward look and their simple faith, and leaving, too, their _Glorias_, which in multiplied reverberations fill all lands and all times, the earthly prelude of the New, the eternal Song. CHAPTER VI. _THE VOICE IN THE WILDERNESS._