Fair play : $b a novelSouthworth, Emma Dorothy Eliza Nevitte
General
Fair play : $b a novel
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
When the sea had gone down a little, and the waves came with less force,
but long before it was quite safe for him to leave his holding, he let
go the shrouds, and began to climb the inclined deck, holding by
anything that he could lay his hands on, until he reached the cabin
door. It was a feat of gymnastics to get down the companion ladder, and
when he had safely reached the bottom, he inadvertently lost his
footing, and slid all the way down the leaning floor, until he was
stopped by the opposite partition.
There he arose to his feet, stood ankle deep in water, and looked
around. But he could see nothing; it was nearly dark in the cabin, the
dead lights being up, as they had been put at the commencement of the
storm. He listened; but he could hear nothing except the beating of the
waves that still broke over the wreck, though with decreasing force.
Again he called out:
“McKenzie! Breton! Ely! Where are you? For Heaven’s sake, answer!”
But there was no reply. His anxiety became intolerable.
He climbed the leaning floor again, and scaled the companion ladder, and
with great difficulty succeeded in taking down the dead-lights and
letting daylight into the cabin.
Then he returned to the cabin, and clearly saw its condition.
From the foot of the ladder, the floor inclined at an angle of about
forty-five degrees. The highest part near the ladder was free from
water, commenced around the pedestal of the center-table, and became
deeper as the floor was lower, until at the partition wall it was two
feet deep. The chairs and all the movable furniture had slidden down the
sloping floor, and lay half submerged and piled against the wall. The
doors of the staterooms were open, and the furniture within them was in
the utmost confusion. And yet everything there—the women’s clothing,
hanging on the pegs or dropped upon the berth; the little workbasket
fallen upside down upon the floor; the scattered books, the flute—all
was suggestive of life; but it was of desolate life, for all was
chaos—still life, for not a living creature was to be seen.
A shock of alarm, almost of conviction, that his three companions had
been lost, struck like an icebolt through his heart. He went into all
the staterooms, one by one.
They all exhibited the wild disorder he had partly seen through the open
doors; not only that of small sleeping apartments hastily evacuated, but
that consequent upon the hurricane. The two staterooms to the right and
left of the companion ladder, being in the highest part of the leaning
cabin, were comparatively dry; the other two, lower down, were partly
submerged.
No human being was to be found, either; but on the upper berth of the
spare staterooms lay Judith Riordan’s cat, quietly and comfortably
nursing her three kittens. On seeing Justin’s face leaning over, she
began to purr with delight. What a contrast was this picture to all the
desolation around?
Public-domain text, read in full here on John Shaqi.
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