What she called the "rain-house" was one of those old-fashioned toy barometers, or weather-tellers, now so seldom seen. It had been discarded long ago, as broken and out of order, years before Merran had come to the farm. She had never seen it except up on a high shelf in the garret, standing among other old things, broken or chipped or useless, and yet which Dame Mac, if ever she remembered them, had not the time to sort or look over. Possibly too, unsentimental as she was, there were certain objects among the "rubbish" which she had not found it in her heart to burn or throw away. This, the garret, was the queer room which I said I would describe. It was large, as it covered a good part of the first story of the farm-house, which was a long, rather low building, and only one end of this second floor had been plastered and boarded and turned into habitable rooms. And these, where some of the younger sons and farm-servants slept, had a separate staircase; the garret was approached by a ladder-like flight of steps leading to nowhere else. So Merran had long ago appropriated it as a place of refuge for herself when her head ached, or her cousins had been teasing her, or her aunt scolding. She grew to love it dearly. There were queer corners where she could hide; there were one or two small unglazed storm-windows, in whose eaves the swallows built, and from which she had a wide view of the country, in its own way a beautiful part of the world, for though flat and what some call "tame," it was well wooded--the trees in summer and autumn, even in early spring, when the first tender greens began to shimmer and sparkle, were a sight to be seen, so lofty and spreading were they. And not very far off, though too far to be perceived from the lower windows, was a silvery glimmer which Merran knew was the sea. She knew by heart every inch of the place and everything it contained. She made up stories to herself about the old pieces of furniture--quaint chairs short of a leg or two, a tumble-down chest of drawers, with a marble top, which must, in the far past, have stood in a handsome, perhaps in a beautiful, room; a cracked and blackened mirror or two; a pathetic old cradle on rockers, which seemed asking for a baby to nurse. Merran talked to and pitied them all; sometimes even she sang in her very thin tiny voice to the cradle, "just to make it think it's not empty," she would say to herself as a sort of excuse.