"How you say that!"--reproachfully. "It sounds untrue! Yet it can't
be. What could any one say against Horace?"
"My dear, I said nothing."
"No, but you insinuated it. You said Dorian was his superior."
"Well, I think he is the better man of the two," said Mr. Peyton,
desperately, hardly knowing what to say, and feeling sorely aggrieved
in that he is compelled to say what must hurt her.
"I cannot understand you; you said you know nothing prejudicial to
Horace (it is impossible you should), and yet you think Dorian the
better man. If he has done no wrong, why should any one be a better
man? Why draw the comparison at all? For the first time in all your
life, you are unjust."
"No, Clarissa, I am not. At least, I think not. Injustice is a vile
thing. But, somehow, Sartoris and I had both made up our minds that
you would marry Dorian, and----"
He pauses.
"Then your only objection to poor Horace is that he is not Dorian?"
asks she, anxiously, letting her hand once more rest upon his
shoulder.
"Well, no doubt there is a great deal in that," returns he, evasively,
hard put to it to answer his inquisitor with discretion.
"And if Dorian had never been, Horace would be the one person in all
the world you would desire for me?" pursues she, earnestly.
George Peyton makes no reply to this,--perhaps because he has not one
ready. Clarissa, stepping back, draws her breath a little quickly, and
a dark fire kindles in her eyes. In her eyes, too, large tears rise
and shine.
"It is because he is poor," she says, in a low tone, that has some
contempt in it, and some passionate disappointment.
"Do not mistake me," says her father, speaking hastily, but with
dignity. Rising, he pushes back his chair, and turning, faces her in
the gathering twilight. "Were he the poorest man alive, and you loved
him, and he was worthy of you, I would give you to him without a
murmur. Not that"--hurriedly--"I consider Horace unworthy of you, but
the idea is new, strange, and----the other day, Clarissa, you were a
child."
"I am your child still,--always." She is sitting on his knee now, with
her arms round his neck, and her cheek against his; and he is holding
her _svelte_ lissome figure very closely to him. She is the one thing
he has to love on earth; and just now she seems unspeakably--almost
painfully--dear to him.
"Always, my dear," he reiterates, somewhat unsteadily.
"You have seen so little of Horace lately," she goes on, presently,
trying to find some comfortable reason for what seems to her her
father's extraordinary blindness to her lover's virtues. "When you see
a great deal of him, you will love him! As it is, darling, do--_do_
say you like him very much, or you will break my heart!"
"I like him very much," replies he, obediently, repeating his lesson
methodically, while feeling all the time that he is being compelled to
say something against his will, without exactly knowing why he should
feel so.
Public-domain text, read in full here on John Shaqi.
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