Adoptees -- Fiction; Fathers and daughters -- Fiction
"Thank you for coming--yet you ought not to be here," hoarsely murmured
the sick man. Elizabeth kissed his hand and brow in answer--and, despite
of all her endeavours, the tears fell from her eyes on his sunken cheek;
again he smiled. "It is not so bad," he said; "do not weep, I am willing
to die! I do not suffer very much, though I am weary of life."
The surgeon was now admitted. He examined the wound, which was of a
musket bullet in his side. He dressed it, and administered some potion,
from which the patient received instant relief; and then joined the
anxious girl, who had retired to another room.
"He is in a very dangerous state," the surgeon remarked, in reply to her
anxious looks. "Nothing certain can be pronounced yet. But our first
care must be to remove him from this pestiferous place--the fever and
wound combined must destroy him. Change of air may produce an
amelioration in the former."
With all the energy which was her prominent characteristic, Elizabeth
caused a litter to be prepared, horses hired, and everything arranged so
that their journey might be commenced at daybreak. Every one went early
to rest, to enjoy some repose before the morrow's journey, except
Elizabeth; she spent the livelong night watching beside Falkner, marking
each change, tortured by the groans that escaped him in his sleep, or
the suppressed complaints that fell from his lips--by the restlessness
and fever that rendered each moment full of fate. The glimmering and
dreary light of the lamp increased even the squalid and bare appearance
of the wretched chamber in which he lay; Elizabeth gazed for a moment
from the casement to see how moved the stars--and there, without, nature
asserted herself--and it was the lovely land of Greece that met her
eyes; the southern night reigned in all its beauty--the stars hung
refulgent lamps in the transparent ether: the fire-flies darted and
wheeled among the olive groves, or rested in the myrtle hedges, flashing
intermittingly, and filling for an instant a small space around them
with fairy brightness; each form of tree, of rocky fragment, and broken
upland, lay in calm and beautiful repose; she turned to the low couch on
which lay all her hope--her idolized father; the streaked brow--the
nerveless hand--half-open eye, and hard breathing betokened a frightful
stage of weakness and suffering.
The scene brought unsought into her mind the lines of the English poet,
which so touchingly describes the desolation of Greece--blending the
idea of mortal suffering with the long-drawn calamities of that
oppressed country. The words, the lines, crowded on her memory; and a
chord was struck in her heart as she ejaculated, "No! no, not so! Not
the first day of death--not now, or ever!" As she spoke, she dissolved
in tears--and, weeping long and bitterly, she became afterward
calmer--the rest of her watch passed more peacefully. Even the patient
suffered less as night verged into morning.
Public-domain text, read in full here on John Shaqi.
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