Familiar Studies in HomerClerke, Agnes M. (Agnes Mary)
History
Familiar Studies in Homer
Clerke, Agnes M. (Agnes Mary)
Epic poetry, Greek -- History and criticism; Homer -- Criticism and interpretation
So intense is the Homeric realisation of the hero’s superhuman powers,
that they scarcely excite surprise. And his belongings are on the scale
of his qualities. None but himself could wield his spear; his armour was
forged in Olympus; his shield was a panorama of human life; his horses
would obey only his guidance, or that of his delegates. Not for common
handling, indeed, were the ‘wind-swift’ coursers born of Zephyr and the
Harpy on the verge of the dim Ocean-stream. Themselves deathless and
invulnerable, they were destined, nevertheless, to share the pangs of
‘brief mortality.’
Sunt lachrymæ rerum, et mentem mortalia tangunt.
For they had a yoke-fellow of a different strain from their own,
captured by Achilles at the sack of the Cilician Thebes, and killed by
Sarpedon in the course of his duel with Patroclus. And they had to
endure worse than the loss of Pedasus. Patroclus, whose gentle touch and
voice they had long ago learned to love, fell in the same fight, and
they stood paralysed with grief, and unheeding alike the blows and the
blandishments of their authorised driver, Automedon.
They neither to the Hellespont would bear him, nor the fight,
But still as any tombstone lays his never-stirréd weight
On some good man or woman’s grave, for rites of funeral,
So unremovéd stood these steeds, their heads to earth let fall,
And warm tears gushing from their eyes with passionate desire
Of their kind manager; their manes, that flourished with the fire
Of endless youth allotted them, fell through the yoky sphere,
Ruthfully ruffled and defiled.[118]
Footnote 118:
_Iliad_, xvii. 432-40 (Chapman’s trans.).
A northern companion-picture is furnished by Grani mourning the death of
Sigurd, whom he had borne to the lair of Fafnir, and through the flames
to woo Brynhild, and now survived only to be immolated on his pyre. The
tears, however, of the weeping horses in the Ramayana and Mahabharata
flow rather through fear than through sorrow.
The final appearance of the Pelidean steeds upon the scene of the Iliad
reaches a tragic height, probably unequalled in the whole cycle of
poetical delineations from the lower animal-world. Achilles, roused at
last to battle, and gleaming in his new-wrought armour, cried with a
terrible voice as he leaped into his car—
Xanthus and Balius, far-famed brood of Podargê’s strain,
Take heed that in other sort to the Danæan host again,
Ye bring your chariot-lord, when ourselves from the battle refrain,
And not, as ye left Patroclus, leave us yonder slain.[119]
The sting of the reproach, and the favour of Heré, together effected a
prodigy, and Xanthus spoke thus to his angry lord:
Public-domain text, read in full here on John Shaqi.
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