Familiar Studies in HomerClerke, Agnes M. (Agnes Mary)
History
Familiar Studies in Homer
Clerke, Agnes M. (Agnes Mary)
Epic poetry, Greek -- History and criticism; Homer -- Criticism and interpretation
The simile, less happily appropriated to Hector, is repeated in a
subsequent part of the poem;[134] and it was by Virgil transferred
bodily to the Eleventh Æneid, where it serves to adorn Turnus, the
wearer of many borrowed Iliadic plumes. They, however, it must be
admitted, make a splendid show in their new setting.
Footnote 133:
_Iliad_, vi. 506-11 (Lord Derby’s trans.).
Footnote 134:
_Ib._ xv. 263.
The makers of the Iliad, whether few or many, were at least unanimous in
their fervid admiration for the horse. The verses glow with a kind of
rapture of enjoyment that describe his strength, beauty, and swiftness,
his eager spirit and fine nervous organisation, his docility to trusted
guidance, his intelligent participation in human contentions and
pursuits. No animal has elsewhere achieved true epic personality;[135]
no animal has been raised to so high a dignity in art. The whole Iliad
might be called an ‘Aristeia’ or eulogistic celebration of the species.
Footnote 135:
Cf. Milchhöfer, _Die Anfänge der Kunst_, p. 57.
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CHAPTER V.
HOMERIC ZOOLOGY.
THE establishment of a clear distinction between men and beasts might
seem a slight effort of defining intellect, yet it has not been quite
easily made. In children the instinct of assimilation long survives the
experience of difference. A little boy of six, asked by the present
writer what profession he thought of adopting, replied with alacrity
that he ‘would like to be a bird,’ and it was only on being reminded of
the diet of grubs associated with that state of life, that he began to
waver as to its desirability. The same incapacity for drawing a
boundary-line between the realm of their own imperfect consciousness and
the mysterious encompassing region of animal life, is visible in the
grown-up children of the wilds. Hence the zoological speculations of
primitive man inevitably take the form of a sort of projection of human
faculties into animal natures. Now human faculties, released from the
control of actuality, spontaneously expand. In a vague and vaporous way,
they transcend the low level of hard fact, and become pleasantly
diffused in the ‘ampler ether’ of the unknown. Beasts thus transfigured
are incapable, it may be said, of simple rationality. The powers
transferred to them grow like Jack’s Beanstalk, beyond the range of
sight.
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