Famous Affinities of History: The Romance of Devotion. Volume 2Orr, Lyndon
History
Famous Affinities of History: The Romance of Devotion. Volume 2
Orr, Lyndon
Biography; Love; Women -- Biography
This dramatic court scene was the beginning of that strange, brief
romance to which one can scarcely find a parallel. At the time there
lived in Paris a young German named Adam Lux. The continual talk about
Charlotte Corday had filled him with curiosity regarding this young
girl who had been so daring and so patriotic. She was denounced on
every hand as a murderess with the face of a Medusa and the muscles of
a Vulcan. Street songs about her were dinned into the ears of Adam Lux.
As a student of human nature he was anxious to see this terrible
creature. He forced his way to the front of the crowded benches in the
court-room and took his stand behind a young artist who was finishing a
beautiful sketch. From that moment until the end of the trial the eyes
of Adam Lux were fastened on the prisoner. What a contrast to the
picture he had imagined!
A mass of regal chestnut hair crowned with the white cap of a Norman
peasant girl; gray eyes, very sad and serious, but looking serenely
forth from under long, dark lashes; lips slightly curved with an
expression of quiet humor; a face the color of the sun and wind, a bust
indicative of perfect health, the chin of a Caesar, and the whole
expression one of almost divine self-sacrifice. Such were the features
that the painter was swiftly putting upon his canvas; but behind them
Adam Lux discerned the soul for which he gladly sacrificed both his
liberty and his life.
He forgot his surroundings and seemed to see only that beautiful, pure
face and to hear only the exquisite cadences of the wonderful voice.
When Charlotte was led forth by a file of soldiers Adam staggered from
the scene and made his way as best he might to his lodgings. There he
lay prostrate, his whole soul filled with the love of her who had in an
instant won the adoration of his heart.
Once, and only once again, when the last scene opened on the tragedy,
did he behold the heroine of his dreams.
On the 17th of July Charlotte Corday was taken from her prison to the
gloomy guillotine. It was toward evening, and nature had given a
setting fit for such an end. Blue-black thunder-clouds rolled in huge
masses across the sky until their base appeared to rest on the very
summit of the guillotine. Distant thunder rolled and grumbled beyond
the river. Great drops of rain fell upon the soldiers' drums. Young,
beautiful, unconscious of any wrong, Charlotte Corday stood beneath the
shadow of the knife.
At the supreme moment a sudden ray from the setting sun broke through
the cloud-wrack and fell upon her slender figure until she glowed in
the eyes of the startled spectators like a statue cut in burnished
bronze. Thus illumined, as it were, by a light from heaven itself, she
bowed herself beneath the knife and paid the penalty of a noble, if
misdirected, impulse. As the blade fell her lips quivered with her last
and only plea:
"My duty is enough--the rest is nothing!"
Public-domain text, read in full here on John Shaqi.
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