Elihu Vedder’s pets might be expected to wear a rather tragic and noble
air, appropriate to the illustrations of the Rubaiyat; but on the
contrary, they have a commonplace appearance of well-being. The studio
pet one year was an asthmatic small dog, who had thrown himself upon
the artist’s compassion--a grateful, subdued, unassuming object, which,
after each spasm of coughing, would look around with a deprecatory
expression, as if to apologize for the disturbance. Some intelligent
cats, and another small dog, in this instance possessed of vivacious
health and spirits, keep the artist’s home lively, and compete with one
another for his favor.
A third studio in Rome is that of the sculptor Story. Many famous
statues have here been “born in clay and resurrected in marble”--among
them that of George Peabody. The marble is now in London, but a
colossal plaster-cast remains in the studio.
The philanthropist is seated--a position which allows various
projections, or ledges, within the hollow cast--of which a high-minded
cat once took advantage.
[Illustration: ENTRANCE AND WINDOW OF THE SCULPTOR EZEKIEL’S STUDIO IN
ROME.]
Before reading further, look at her picture. Is she not very much like
some dainty young lady in ball-dress? See how deftly she has disposed
her train, how fastidiously she glances over her shoulder! A cat of
distinction--that is evident at the first glance! She came originally
from Walton-on-Thames, in England, was a present to Mrs. Story, and, in
memory of the donor, named Lady Tankerville. Having an artistic bias,
she chose the studio in preference to boudoir life, and was oftenest to
be found there.
After a while she was known to be the proud mother of kittens, but
where she kept them remained a mystery until several weeks later,
when they were found in--of all places!--the head of George Peabody.
It was a delightfully retired situation, and probably there never were
happier kittens. As an instance of post-mortem philanthropy, it is, I
am convinced, unequalled.
[Illustration: BIMBO, ONE OF THE SCULPTOR STORY’S PETS.]
A fine pug called Bimbo must be added to the favorites that have gone
before. A spoiled but intelligent darling, he sits up for his picture
on a velvet chair, with an air of snug contentment quite irresistible.
His mistress holds him in loving memory; and, since his death, contents
herself with a bisque “puggery,” whose inmates, if liable to breakage,
are nevertheless more easily replaced.
Public-domain text, read in full here on John Shaqi.
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