"To begin with," said he, "'The Princess Chic' was not taken from the
French, though there was a French vaudeville with the same title. I got
the idea of the opera fixed in my mind after seeing Henry Irving play
'Louis XI.' during one of his visits to this country. You remember in
that drama where the envoy from the Duke of Burgundy and his clanking
guard march into Louis's presence. The envoy throws his mailed gauntlet
at Louis's feet and exclaims, 'That is the answer of Charles the Bold!'
or words to that effect, at any rate.
"That kindled my admiration for Charles the Bold, and I have been
admiring him ever since. Consequently when I wanted a comic opera and
couldn't get any one to write it for me, I said to myself, 'Here's a
chance for Charles the Bold.' I forthwith started in on what is now the
second act of 'The Princess Chic,' and wrote backward and forward.
"Now comes the odd part of the whole business. I had to have a woman for
my opera, so I invented the Princess Chic. I had to have a plot,--I'm a
bit old-fashioned, I know,--so I invented the intrigue of Louis XI.
plotting to cause a revolt among the subjects of the Duke of Burgundy. I
seemed to be getting along first-rate when it occurred to me that it
wouldn't do any harm to delve a bit into history. So I delved.
"You can imagine my astonishment when I found that I had unwittingly
been duplicating to a startling extent historical fact. I discovered
that there actually had been a Princess Chic. I learned that Louis XI.
had thought to cause trouble in Charles's domain, and by this means to
open a way for the seizure of that province for France. The Duke's bold
move in arresting the King and holding him captive until the King agreed
to a treaty that suited Charles was new to me, however, and I grabbed it
quick.
"Now you have the whole story of 'The Princess Chic.' Somebody has
accused me of coquetting with history. I deny all coquetry. 'The
Princess Chic' is to all intents and purposes genuine history, much
nearer fact than many a historical drama that makes more pretences of
sticking closely to the truth."
Public-domain text, read in full here on John Shaqi.
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