The last time that I saw the Bennett and Moulton Opera Company was in "Fra Diavolo," and the prima donna--the term seems ridiculous and absurd as I think of the person to whom it is applied--was a golden-haired little creature, wonderfully ample, tremendously in earnest, and strangely fascinating, a dainty slip of a girl, who seemed, in truth, only a child. I can see her now as she sat on the edge of the bed in the chamber scene, unfastening her shoes, singing very sweetly and very expressively her good-night song, all unconscious of the bold brigands who were watching the proceedings from their places of concealment. She charmed me as no singer in light opera ever had before, and the impression that she made upon me has never been lost. The child was Della Fox, of whom at that time no one had ever heard--Della Fox in the humblest of surroundings, but to me more fascinating than in any of the brilliant settings that have since been hers. I did not see Della Fox again until 1890, when she was playing Blanche in "Castles in the Air" with DeWolf Hopper. She had changed greatly in the few years, though far less than she has since the days of "Castles in the Air," "Wang," and "Panjandrum." Her appealing, unsophisticated girlishness had gone, and in its place was self-possession and authority. She was charming in her daintiness, provoking in her coquetry, a tantalizing atom of femininity. Her archness was not bold nor unwomanly, and her vivacity was well within the bounds of refinement and good taste. Her singing voice, too, was musical, though not over strong. Della Fox was born in St. Louis on October 13, 1872. Her father, A. J. Fox, was a photographer, who made something of a specialty of theatrical pictures; and thus Della's babyhood was passed, not exactly in the playhouse atmosphere, perhaps, but certainly in an atmosphere next door to that of the greasepaint and footlights. Her experience on the stage began when she was only seven years old as the midshipmate in a children's "Pinafore" company, which travelled in Missouri and Illinois for a season. She was an astonishingly precocious child, and many persons who watched her shook their heads and predicted that her talent had ripened too early, and that, as is the case with many promising stage children, she would never amount to anything. Apparently this midshipmate experience firmly established in Miss Della's childish mind the intention to become an actress. Her parents, however, succeeded in keeping her in school for a few years longer, though she appeared in several local performances where a child was needed. When she was nine years old, for instance, she acted for a week in St. Louis the child's part in the production of "A Celebrated Case" of which James O'Neill was the star, and she was also at one time with a "Muldoon's Picnic" company. Her first real professional experience, however, was obtained with an organization known as the Dickson Sketch Club.