"Everything points to Gurn," Juve thought, "and yet would an ordinary murderer have dared to commit such a crime as this? Am I letting my imagination run away with me again? I don't know: but it seems to me that about this murder, committed in the very middle of Paris, in a crowded house where yet nobody heard or suspected anything, there is an audacity, a certainty of impunity, and above all a multiplicity of precautions, that are typical of the Fantômas manner!" He clenched his fists and an evil smile curled his lips as he repeated, like a threat, the name of that terrible and most mysterious criminal, of whose hellish influence he seemed to be conscious yet once again. "Fantômas! Fantômas! Did Fantômas really commit this murder? And if he did, shall I ever succeed in throwing light upon this new mystery, and learning the secret of that tragic room?" VIII. A DREADFUL CONFESSION While Juve was devoting his marvellous skill and incomparable daring to the elucidation of the new case with which the Criminal Investigation Department had entrusted him in Paris, things were marching at Beaulieu, where the whole machinery of the law was being set in motion for the discovery and arrest of Charles Rambert. * * * * * With a mighty clatter and racket Bouzille came down the slope and stopped before old mother Chiquard's cottage. He arrived in his own equipage, and an extraordinary one it was! Bouzille was mounted upon a tricycle of prehistoric design, with two large wheels behind and a small steering wheel in front, and a rusty handle-bar from which all the plating was worn off. The solid rubber tyres which once had adorned the machine had worn out long ago, and were now replaced by twine twisted round the felloes of the wheels; this was for ever fraying away and the wheels were fringed with a veritable lace-work of string. Bouzille must have picked up this impossible machine for an old song at some local market, unless perhaps some charitable person gave it to him simply to get rid of it. He styled this tricycle his "engine," and it was by no means the whole of his equipage. Attached to the tricycle by a stout rope was a kind of wicker perambulator on four wheels, which he called his "sleeping-car," because he stored away in it all the bits of rag he picked up on his journeys, and also his very primitive bedding and the little piece of waterproof canvas under which he often slept in the open air. Behind the sleeping-car was a third vehicle, the restaurant-car, consisting of an old soap box mounted on four solid wooden wheels, which were fastened to the axles by huge conical bolts; in this he kept his provisions; lumps of bread and fat, bottles and vegetables, all mixed up in agreeable confusion. Bouzille made quite long journeys in this train of his, and was well known throughout the south-west of France. Often did the astonished population see him bent over his tricycle, with his pack on