American fiction -- 20th century; Detective and mystery stories; Long Island (N.Y.) -- Fiction; Murder -- Investigation -- Fiction
With everybody raptly watching, Roberts, holding the envelopes, turned
off the lights. The room was dark, save for the one shaded lamp glowing
on a small table. Then he handed the lot of sealed envelopes to Orienta,
who took them in a hand-clasp that precluded her seeing any detail of
them. In another second, Bobsy had taken his seat, and snapped off the
last small light. The room was in perfect darkness. Barry's hand stole
out and clasped Natalie's, but otherwise there was no movement on the
part of any one.
Not a second seemed to have passed before Orienta's soft voice was
heard.
"I will read the questions," she said, "in the order they were given me.
This is the first: 'Who is Goldenheart?' It is signed Joyce Stannard.
This is the answer, as my mind sees it. A woman sitting on a rocky seat
near a rushing brook or river. There is a man near her. He bends above
her, and speaks endearing words. He calls her Marie, she calls him Eric.
She is small and pale. Her hair is Titian red. Though not beautiful, she
is attractive in a pathetic way. Ah, the vision is gone."
As the low voice ceased, there was a slight rustle as of some one about
to speak.
"No questions, please," said Orienta, "unless you want this experiment
to stop right here. I will now read the contents of the next envelope.
This is, 'Who marred my etched picture?' signed Natalie Vernon. My mind
sees the artist who made it, himself scratching it. He is in a fury. It
is because he does not feel satisfied with his own work. He mutters,
'Not right! no, not right, yet!' There is no one with him. He is alone.
The vision fades."
Orienta paused, and gave a little soft sigh, as if exhausted. But in a
moment she spoke again. "You know," she said, "if you prefer to have the
lights, it doesn't matter at all to me. I read these in the dark because
I think if the room were lighted you might suppose I saw the message in
some way by means of my physical eyes. It is not so, but if you prefer
the light, turn it on."
"I do," cried Roberts, and before any one could object, he snapped on
the table light and then the main key which flooded the big room with
illumination.
Orienta smiled. "I thought you were sceptical, Mr. Roberts," she said.
And then, as if his doubts were of little consequence, she said, "Shall
I proceed?"
Joyce nodded, but she shot a gleam of annoyance and reproof at Bobsy
Roberts, who looked a little crestfallen, but determined to take no
chances.
Orienta picked up the next envelope. She had laid aside on a table the
two she had read.
She did not look at the envelope she now held, but looked straight at
Roberts, as if to convince him of her honesty.
Public-domain text, read in full here on John Shaqi.
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