The fully-developed heart has a much more complicated innervation than
the other muscles. The arm or leg cut off from the body ceases at once
to move, but the heart removed from an animal continues to beat for
a long time. Those who frequent the anatomical lecture-rooms notice
sometimes with surprise slight movements at the base of the heart,
although the rest of the corpse has been cold and motionless for a
whole day. The heart owes this tenacity of life to the structure of
its thin walls, to its being immersed in blood, and, more than all,
to there being in its flesh little nerve-centres called ganglia. It
is on this account, however, by no means independent of the brain and
spinal cord, which can modify the rhythm and force of its pulsations
according to the needs of the internal economy. Our organism is one of
the most wonderful examples of that happy autonomy where liberty and
the functions of each organ are always subordinated to the interest
and advantage of all others, while the joint administration has as its
object the maintenance of life and the welfare of all.
The centre of the cardiac nerves is in the medulla oblongata, in the
most important part of the nervous system, near that point the wounding
of which even with a pin-point causes instant death, because there all
the paths of the nervous system converge.
Of the two nerves which carry commands to the heart, one serves
principally to slacken the pulsations, and has, since it acts as a
brake, received the name of inhibitory nerve; while the other, serving
to increase the frequency of the beats, to spur them on, so to speak,
is called the accelerator nerve.
The functions of the cardiac nerves, which may seem in this way to be
extremely simple, are in reality very complicated. Galvani was the
first who showed that an irritation of the spinal cord brought about an
arrest, or, as he called it, an _enchantment_ (_incantesimo_) of the
heart.
IV
Boccaccio describes in a masterly manner the effects and changes which
love produces on the pulse:
Public-domain text, read in full here on John Shaqi.
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