Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
General
Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
She thought, with a shudder, of the treacherous sea; of the
pestilence that walketh in darkness; of a sick-bed, on a foreign shore;
of the added bitterness of the death pang, when the eye looks vainly
for the _one loved face_; and bowing her face in her hands, she wept
convulsively.
* * * * *
“Dear heart! Goodness alive!” said Meta’s landlady, peeping in
at the door. “Don’t take on so; bless me, how long have you been
married? you’re nothing better than a child _now_. Why didn’t you go
to Californy with your husband? Where’s your folks?--whose picter is
that? Ah! I see now, it is meant for you. But why didn’t you have on
a gown, dear, instead of being wrapped up in them clouds? It makes
you look like a sperit. Come now, don’t sit moping here; come down
stairs and see me work; it will amuse you like. I’m going to make some
brown bread. I dare say you never made a bit of brown bread in your
life. I put a power of Ingin in mine. I learned that in the country.
I was brought up in the country. I hate city folks; they’ve no more
heart than a sexton; much as ever they can stop frolicking long enough
to bury one another. They’ll sleep, too, like so many tops, while
the very next street is all of a blaze, and their poor destitute
fellow-creatures are turned naked into the streets. They’ll plow right
through a burying ground, if they take a notion, harrowing up dead
folks, and _live_ ones, too, _I_ guess. And as to Sunday--what with
Jews, and Frenchmen, and down Easters, and other foreigners, smoking
and driving through the streets, ’tisn’t any Sunday at all. Well, I
never knew what Sodom meant till I came to the city. Why Lot’s wife
turned round to take a second look at it, is beyond me. Well, if you
won’t come down stairs I must leave you, for I smell my bread burning;
but do cheer up--you look as lonesome as a pigeon on a spout of a rainy
day.”
A letter from the best beloved! How our eye lingers on the well-known
characters. How we torture the words to extract hidden meanings.
How tenderly we place it near the heart, and under the pillow. How
lingeringly comes the daylight, when our waiting eyes would re-peruse
what is already indelibly written on the heart!
Public-domain text, read in full here on John Shaqi.
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