Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
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Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
Don’t you believe it? They would run from you, as if you had the
plague. “Write your brow” with anything else but your “troubles,” if
you do not wish to be left solus. You have no idea how “good people”
will pity you when you tell your doleful ditty! They will “pray for
you,” give you advice by the bushel, “feel for you”--everywhere
but in their pocket-books; and wind up by telling you to “trust in
Providence;” to all of which you feel very much like replying as the
old lady did when she found herself spinning down hill in a wagon, “I
trusted in Providence till the tackling broke!”
Now, listen to me;--just go to work and hew out a path for yourself;
get your head above water, and then snap your fingers in their
pharisaical faces! Never ask a favor until you are drawing your last
breath; and never forget one. “Write your troubles on your brow?” That
man was either a knave, or, what is worse, a fool. I suppose he calls
himself a poet; if he does, all I have to say is, it’s high time the
city authorities took away his “license.”
HOW THE WIRES ARE PULLED:
OR,
WHAT PRINTER’S INK WILL DO.
“Isn’t it extraordinary, Mr. Stubbs, how Mr. Simpkins can always
be dressed in the last tip-top fashion? Don’t you and I, and all the
world know, that old Allen has a mortgage on his house, and that he
never has a dollar by him longer than five minutes at a time. Isn’t it
extraordinary, Mr. Stubbs?”
“Not at all--not at all--my dear,” said Mr. Stubbs, knocking the
ashes from his Havana; “to an editor all things are possible;” and he
unfolded the damp sheets of the Family Gazette, of which Mr. Simpkins
was editor, and commenced reading aloud the following paragraph:
“We yesterday had the gratification of visiting the celebrated
establishment of the far-famed Inman & Co., Hatters, No. 172 Wideway.
We pronounce their new style of spring hat, for lightness, beauty,
and durability, to be unrivaled; it is aptly designated the ‘Count
D’Orsay hat.’ The gentlemanly and enterprising proprietors of the
establishment, are unwearied in their endeavors to please the public.
There is a _je ne sais quoi_ about _their_ hats, which can be found
nowhere else in the city.”
“Well, I don’t see,” said Mrs. Stubbs, “I--”
“Sh--! sh--! Mrs. Stubbs; don’t interrupt the court--here’s another.”
“Every one should visit the extensive ware-rooms of Willcut & Co.,
Tailors, 59 Prince Albert street. There is science wagging in the very
tails of Mr. Willcut’s coats; in fact, he may be said to be the only
tailor in the city, who is a thorough _artist_. His pantaloons are
the _knee_-plus-ultra of shear-dom. Mr. Willcut has evidently made
the anatomy of masculinity a study--hence the admirable result. The
most casual observer, on noticing Mr. Willcut’s fine phrenological
developments, would at once negative the possibility of his making a
_faux pas_ on broadcloth.”
“Keep quiet, Mrs. Stubbs; listen:”
Public-domain text, read in full here on John Shaqi.
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