Figures of Earth: A Comedy of AppearancesCabell, James Branch
Science
Figures of Earth: A Comedy of Appearances
Cabell, James Branch
Fantasy fiction; Wit and humor
Dom Manuel left his images where the old Hebrew captain appeared to
regard them with violent dumb anguish, and Manuel took both of the
girl's lovely little hands, and he stood thus for a while looking down
at the Princess.
Said Manuel, very sadly:
"I cry the elegy of such notions as are possible to boys alone.
'Surely,' I said, 'the informing and all-perfect soul shines through and
is revealed in this beautiful body.' So my worship began for you, whose
violet eyes retain at all times their chill brittle shining, and do not
soften, but have been to me always as those eyes which, they say, a
goddess turns toward ruined lovers who cry the elegy of hope and
contentment, with lips burned bloodless by the searing of passions which
she, immortal, may neither feel nor comprehend. Even so do you, dear
Alianora, who are not divine, look toward me, quite unmoved by anything
except incurious wonder, the while that I cry my elegy.
"I, for love, and for the glamour of bright beguiling dreams that hover
and delude and allure all lovers, could never until to-day behold
clearly what person I was pestering with my notions. I, being blind,
could not perceive your blindness which blindly strove to understand me,
and which hungered for understanding, as I for love. Thus our kisses
veiled, at most, the foiled endeavorings of flesh that willingly would
enter into the soul's high places, but is not able. Now, the game being
over, what is the issue and end of it time must attest. At least we
should each sorrow a little for what we have lost in this gaming,--you
for a lover, and I for love.
"No, but it is not love which lies here expiring, now we part friendlily
at the deathbed of that emotion which yesterday we shared. This emotion
also was not divine; and so might not outlive the gainless months
wherein, like one fishing for pearls in a millpond, I have toiled to
evoke from your heart more than Heaven placed in this heart, wherein
lies no love. Now the crying is stilled that was the crying of
loneliness to its unfound mate: already dust is gathering light and gray
upon the unmoving lips. Therefore let us bury our dead, and having
placed the body in the tomb, let us honestly inscribe above this
fragile, flower-like perished emotion, 'Here lieth lust, not love.'"
Now Alianora pouted. "You use such very ugly words, sweetheart: and you
are talking unreasonably, too, for I am sure I am just as sorry about it
as you are--"
Manuel gave her that slow sleepy smile which was Manuel. "Just," he
said,--"and it is that which humiliates. Yes, you and I are second-rate
persons, Alianora, and we have found each other out. It is a pity. But
we will always keep our secret from the rest of the world, and our
secret will always be a bond between us."
He kissed the Princess, very tenderly, and so left her.
Public-domain text, read in full here on John Shaqi.
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