Unable to bear these things any longer, Finn turned cautiously
toward the middle of his loathsome prison, and, though his feet
shrank from the task, scraped a hollow place in its midst of about
the bigness of a wash-hand basin. Then, treading as though upon hot
bricks, he squirmed his great body round to avoid touching the
walls of his prison, and sat on his haunches in the hollow he had
made. He was now filled with a desire to inform Tara and the
Master, and, it may be, the rest of the world, about his sorry
plight. But, particularly, he wanted to let the Master and Tara
know about it. And so, seated there in what he had endeavoured to
make the one approachably clean spot available, Finn pointed his
long muzzle toward the stars he could not see, and, opening his
jaws wide, expelled from them the true Irish Wolfhound howl, which
seemed to tear its way outward and upward from the very centre of
the hound's grief-smitten heart, to wind slowly through his lungs
and throat, and to reach the outer air with very much the effect of
a big steamship's syren in a dense fog. It is a very long-drawn
cry, beginning away down in the bass, dragging up slowly to an
anguished treble note in a very minor key, and subsiding,
despairingly, about half-way back to the bass. It is a sound that
carries a very long way--though not so far as from the place of
Finn's captivity to the Sussex Downs--and carries misery with it
just as far as ever it can reach. Upon the hearer who has any
bowels of compassion it falls with a weight of physical appeal
which may not be denied. Above all, it is a strange, mysterious,
uncanny cry, and not a sound which can be ignored. It is a sound to
fetch you hurriedly from your bed at midnight; and that though you
had been sunk in dreamless sleep when first it smote its
irresistible way into your consciousness.
Public-domain text, read in full here on John Shaqi.
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