First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moralStimson, Frederic Jesup
General
First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moral
Stimson, Frederic Jesup
American fiction -- 19th century
Among the men who took no part, but stood curiously, on the outskirts
of the fight, were two whose faces and figures would attract you even
in that crowd. They were apparently friends; at least, they had come
in together. The older was a young man of twenty-four or five, very
handsome in his way; that is, he was lithe, graceful, tall, with dark
hair neatly cut, a small black moustache, shaped like a gentleman’s--it
was not the moustache of a gambler, nor yet of an elegant of the
dry-goods counter--and, above all, with an indescribable air of
high finish and high living. His clothes were beautifully cut;
his hands white, his cheeks red, his nervous system evidently in
perfect order, and his digestion unimpaired. He came in sauntering,
carelessly pointing out the people of interest to his friend; his
manner was perfectly indifferent, as he drifted from one sign-post to
another, chewing between his lips the green stem of some flower,--as
a countryman puts a straw in his mouth when making a horse-trade. He
passed by the Allegheny Central and stopped in front of the Louisville
and Nashville sign; and no one suspected that he, Charlie Townley, of
Townley & Tamms, had just sent brokers into the heat of the fight,
by order of headquarters, to sell twenty thousand shares of the
Allegheny Central itself. He cast no glance behind him, but was engaged
in pointing out to his friend three well-known brokers--one famed
for his wit, the other for his wife, and the third, to continue the
alliteration, for his wiles. The companion was of different build; but
we need not describe him. Arthur Holyoke had arrived in New York the
very night before. He had come on from the country with his cousin and
her aunt, Mrs. Livingstone, with whom in future Gracie was to live.
He had been with Gracie all those weeks since her father’s death; but
his quick perception had prevented him from speaking to her again of
their engagement. Gracie was a girl whose standard of conduct was
placed above the plain and obvious right; who would go out of her way
to seek duties that were almost romantic, justice more than poetical,
motives ethereal, and benefits to others that their better angels might
have overlooked. And Arthur was enough of a poet himself to feel that
he would not wisely mention love to her for many months at least; not
because her father had not approved it, but because he was no longer
there to approve.
Public-domain text, read in full here on John Shaqi.
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