myself, since I had no latch-key, I decided upon a rear attack. I
therefore passed down the side of the house and, flanking the sheds,
approached the kitchen door. It was shut, the window blinds were
closely drawn, but a light gleamed through the crevices. I rapped
gently on the panels once, twice, thrice, at short intervals. Upon the
third summons I heard the sound of cautiously drawn bolts, and the door
opened about four inches on a chain. A wrinkled grey-bearded face
peered out at me. "_Qui va là?_ Who is dare?" demanded a cracked voice,
its foreign accent in the English fairly rasping the evidently
unfamiliar words.
"It is I, my friend, Sir William Dagmar," I replied very softly in
French.
The old man immediately released the chain and threw the door wide.
"Enter, Monsieur," he said politely.
I did not require a second invitation, but before attending to me the
old man refastened the door. He then turned and looked at me
inquiringly. His expression was a curious combination of cunning and
intelligence. I saw at once that he was astonished at the manner of my
coming, and that he considered that he was entitled to an explanation.
"I wish to see Mademoiselle Le Mar, privately and quickly," I muttered
in his ear.
"But, Monsieur," he began.
I took a sovereign from my pocket and allowed him to perceive it. He
stopped dead in his speech and a greedy look came into his eyes.
"Contrive to let her know that I am here," I said quietly.
He nodded and hobbled out of the kitchen, making so little noise,
however, in his exit that I guessed he wore rubber-soled boots. Mine
were shod with felt. My object in sending for Marion Le Mar was to
obtain a guide over the house, a very important desideratum, since I
had never been inside its walls until that moment. I was kept waiting
about ten minutes, when the old fellow suddenly reappeared.
"Monsieur! She comes," he muttered, and stretched out a skinny paw for
the money.
I let it drop into his hand, and turned at a sound to behold standing
in the open doorway the woman I had seen in my master's company last
Sunday on the Heath. I had thought her beautiful on that occasion,
although her head and all the upper portion of her face were hidden
with a veil. Now I caught my breath, and for an instant dreamed I
looked upon a spirit from some other world. Her forehead was broad and
low; her head, exquisitely shaped, was covered with a glory of gleaming
gold which admirably contrasted with the dark and level pencilling of
her brows, and the russet flashing of her wonderful red-brown eyes. The
one weak spot in my composition is that I am the slave of female beauty
wherever found, and yet until that moment I had been wise enough to
worship the sex collectively. But standing in the doorway I recognized
my fate, and I bowed my head before her.
Public-domain text, read in full here on John Shaqi.
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