First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.Daly, Charles P. (Charles Patrick)
History
First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.
Daly, Charles P. (Charles Patrick)
Theater -- United States -- History
But although this use of the drama was an aid to the Church, that
circumstance in no way affected or lessened the Church’s attitude
toward the players who acted profane plays, farces, interludes, or gave
any kind of dramatic entertainment of that description. It was right
to employ it on behalf of the Church, but to make any other use of it
was sinful and unlawful. So the player, or common player, as he was
called, to distinguish him from the histrionic assistant of the Church,
remained as he was before. So late even as the thirty-ninth year of
Elizabeth’s reign, a statute was passed declaring that common players
should be taken and adjudged to be rogues, vagabonds, and sturdy
beggars, etc., etc., and be subject to the penalties therein provided,
which Jeremy Collier declares were “infamous to the last degree, and
capital, too, unless they give over,” that is, were punishable with
death. But a reservation was made in favor of players that belonged to
a baron or other personage of high degree, who were authorized to play
under his signature and seal, by which an opening was left for the rise
and development of the great era in the dramatic history of England
that followed.
Notwithstanding, however, the persecution, penalties, hardships,
and sufferings to which the common players were subject, they clung
to their vocation with a tenacity that showed how strong was their
affection for it; that it was not only a means of livelihood, but the
one of all others they preferred, for to impart pleasure is as much of
an enjoyment as to receive it. But persistent as was this degradation
of the players, the Church and the law had to yield at last to the
inevitable. But how long this was in coming about, or how long the
effect of it prevented the player from being recognized as on the
same level with the rest of his fellow-men, may be illustrated by the
well-known anecdote of Garrick, when a chimney-sweep called out to his
fellow, “There goes Garrick the player,” and his companion responded,
“Hush, you don’t know what you may come to yourself.”
Public-domain text, read in full here on John Shaqi.
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