He stroked Rip with a meditative hand and lay down. Soon his mind began
to wander in the maze whose clue is sleep. He was with Valentine, with
Doctor Levillier, with the sharp-featured youth and the lady of the
feathers. They sat round a table and it was dark; yet he could see. And
the lady's feathers grew like the beanstalk of Jack the Giant-killer
towards heaven and the land of ogres. Then Julian climbed up and up till
he reached the top of the ladder. And it seemed to him that the feather
ladder ended in blue space and in air, and that far away he saw the
outline of a golden bar. And on this bar two figures leaned. One seemed
an angel, one a devil. Yet they had faces that were alike, and were
beautiful. They faded.
Julian seemed vaguely to hear the sharp-featured youth say, "Good
ayngels! O Gawd!"
Was that the motto of his sleep?
CHAPTER III
A DRIVE IN THE RAIN
When Julian returned from Angelo's the next morning he found lying
upon the breakfast table a note, and, after the custom of many people,
before opening it he read the address on the envelope two or three
times and considered who the writer might be. It struck him at once
that the writing ought to be familiar to him and capable of instant
identification. The name of his correspondent was literally on the tip of
his mind. Yet he could not utter it. And so at last he broke the seal.
Before reading the note he glanced at the signature: "Valentine."
Julian was surprised. He knew now why he had seemed to remember, yet had
not actually remembered, the handwriting. Regarding it again, he found it
curiously changed from Valentine's usual hand, yet containing many points
of resemblance. After a while he came to the conclusion that it was like
a bad photograph of the original, imitating, closely enough, all the main
points of the original, yet leaving out all the character, all the
delicacy of it. For Valentine's handwriting had always seemed to Julian
to express his nature. It was rather large and very clear, but delicate,
the letters exquisitely formed, the lines perfectly even, neither
depressed nor slanting upwards. This note was surely much more coarsely
written than usual. And yet, of course, it was Valentine's writing.
Julian wondered he had not known. He read the note at last:
"DEAR JULIAN,
"I am coming over to see you this afternoon about five, and shall try and
persuade Rip to restore me to his confidence. I hope you will be in. Are
you tired after last night's experiences? I never felt better.
"Ever yours,
"VALENTINE."
"And yet," Julian thought, "I should have guessed by your writing that
you were in some unusual frame of mind, either tired, or--or--" he looked
again, and closely, at the writing,--"or in a temper less delightfully
calm and seraphic than usual. Yes, it looks actually a bad-tempered hand.
Valentine's!" Then he laughed, and tossed the note carelessly into the
fire that was crackling upon the hearth. Rip lay by it, quietly
sleeping.
Public-domain text, read in full here on John Shaqi.
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