Air pilots -- Fiction; World War, 1914-1918 -- Fiction
“If you call me that again, you big bum, I’ll punch you in the nose,”
the blonde warned as her eyes protruded, blazing with fire. “I’ll have
you know I’m a lady, I am!”
“Well, who said you wasn’t?”
“You did!” she persisted. “You called me a—a—well, don’t say that
again!”
“Say what?” Lefty demanded to know.
“What you just called me!”
“What did I call you?”
“I don’t know what it meant,” the girl admitted, “but if it was as bad
as it sounded, my brother would make you eat those words, if he was
here!”
Lefty yawned and stretched his arms, already tired from the effects of
the bartender’s loaded drink. “Aw, be a reg’lar feller, kiddo, an’
give’sh a tune!”
“You like my voice?” the blonde asked, changing her tone to the
ingratiating pitch so familiar with her type.
“Do I like it? I love it!” Lefty bellowed, much to the amusement of the
white patrons seated at tables near by. “I think you have a better voice
than—than—let me think. Oh, yeah! Better than Galli Curci!”
“Galli Curci?” the entertainer repeated as a puzzled expression lighted
upon her face. “Who’s that guy, Galli Curci?”
“You don’t know old Galli?” Lefty asked in a high pitch of astonishment,
and the blonde shook her head negatively. “Well, if you must know, let
me enlighten you; Galli—old Galli Curci was the bes’ Russian bicycle
rider in Brooklyn!”
A roar of laughter came from the tables occupied by the Americans. Lefty
rose with much difficulty, bearing a silly grin and bowing to his
encouraging audience. The girl at the piano moved about uncomfortably,
the lines in her face hardening and her eyebrows knitting in a frown.
“Say, bozo, I gotta feelin’ you’re trying to razz me!” she announced.
“And I don’t mind tellin’ you, brother, I don’t like it!”
“Who, me?” Lefty protested innocently enough.
“Yes, you! Now cut the comedy. If you want another number, either put up
or shut up!”
“Okay, baby!” Lefty announced, digging down into his pocket and bringing
forth a roll of bills, peeling one off and dropping it into the lap of
the performer. “Shoot!”
The boy’s roll of money was of such considerable size that Rosa, who had
picked up an acquaintance with a new arrival, who seemed to gloat over
her amorous antics, left the man without further ado and returned to the
boy just as he placed the bills back in his pocket.
“You got sometink for Rosa?” she begged, her face again illuminated by a
beaming smile.
[Illustration: “You got sometink for Rosa?” she begged of Lefty.]
“Naw, go on away!” he replied with impatience, pushing the girl from
him, “I wanna hear my baby here sing!”
The blonde folded the bill and placed it in her dress, then touched the
white ivory keys and once more burst aloud in sentimental song.
“Rosa, she dance for her brave Americano soldado, you watch!”
“I don’ wanna watch,” he protested. “Go ’way, woman; you draw flies!”
“But Rosa, she dance for you!” the girl insisted, using every bit of
will power she possessed to hold back her rising temper.
Public-domain text, read in full here on John Shaqi.
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