Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second EditionHutton, Edward
History
Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
Hutton, Edward
Art -- Italy -- Florence; Genoa (Italy) -- History; Tuscany (Italy) -- Description and travel
studies; which he did, so that when he was sixteen he had a very good
knowledge of grammar and the Latin tongue, and began to work at logic,
in order later to come at philosophy and theology. Then he left Sarzana
and went to Bologna, so that he might the better pursue his studies in
every faculty. At Bologna he studied in logic and in philosophy with
great success. In a short time he became learned in all the seven
Liberal Arts. Staying at Bologna still he was eighteen, and Master of
Arts, lacking money, it was necessary for him to go to Sarzana to his
mother, who had remarried, in order to have money to furnish his
expenses. She was poor and her husband not very rich, and then Tomaso
was not his son, but a stepson: he could not obtain money from them.
Determined to follow his studies, he thought to go to Florence, the
mother of studies and every virtue at that time. So he went thither, and
found Messer Rinaldo degli Albizzi, a most exceptional man, who carried
him off to instruct his sons, giving him a good salary as a young man of
great virtue. At the end of a year Messer Rinaldo left Florence, and
Maestro Tomaso wishing to remain in the city, he arranged for him to
enter the service of Messer Palla di Nofri Strozzi; and from him he had
a very good salary. At the end of another year he had gained so much
from these two citizens that he had enough to return to Bologna to his
studies, though in Florence he had not lost his time, for he read in
every faculty."
Such were the early years of one of the most cultured and princely of
the Popes. Born in 1398, he was himself one of the sons of the early
Renaissance. Not altogether without pedantry, he yet by his learning, by
his patronage of scholars and artists (and indeed he was perhaps the
first Pope who preferred them to monks and friars), secured for the
Renaissance the allegiance of the Church. He died in a moment of
misfortune for Europe in 1455, just after the fall of Constantinople,
being succeeded on the throne of Christendom by Pius II, Pius Aeneas as
he called himself in a moment of enthusiasm, one of the most human of
all those men of the world who have become the vicegerent of Jesus.
Nicholas V was not a man of the world, he was a scholar, full of the
enthusiasm of his day. As a statesman, while he pacified Italy, he saw
Byzantium fall into the hands of the barbarians. He was a Pagan in whom
there was no guile. His enthusiasm was rather for Apollo and the Muses
than for Jesus and the Saints. With a simplicity touching and
delightful, he watched Sigismondo Malatesta build his temple at Rimini,
and was his friend and loved him well. Pius II, with all his love of
nature and the classics, though his own life was full of unfortunate
secrets and his pride and vanity truly Sienese, could not look on
unmoved while Malatesta built a temple to the old gods in the States of
the Church. But then Pius had not lived all the long years of his youth
at Luna Nova.
Public-domain text, read in full here on John Shaqi.
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