She alone can keep the poetry and beauty of married life who has
this poetry in her soul; who with energy and discretion can throw
back and out of sight the sordid and disagreeable details which
beset all human living, and can keep in the foreground that which is
agreeable; who has enough knowledge of practical household matters to
make unskilled and rude hands minister to her cultivated and refined
tastes, and constitute her skilled brain the guide of unskilled
hands. From such a home, with such a mistress, no sirens will seduce
a man, even though the hair grow gray, and the merely physical charms
of early days gradually pass away. The enchantment that was about her
person alone in the days of courtship seems in the course of years
to have interfused and penetrated the _home_ which she has created,
and which in every detail is only an expression of her personality.
Her thoughts, her plans, her provident care, are everywhere; and the
_home_ attracts and holds by a thousand ties the heart which before
marriage was held by the woman alone.
THE MAYFLOWER.
[Sidenote: A perfect character.]
“Was she beautiful?” you ask. I also will ask one question: “If an
angel from heaven should dwell in human form, and animate any human
face, would not that face be lovely? It might not be _beautiful_,
but would it not be lovely?” She was not beautiful except after this
fashion.
How well I remember her, as she used sometimes to sit thinking, with
her head resting on her hand, her face mild and placid, with a quiet
October sunshine in her blue eyes, and an ever-present smile over her
whole countenance. I remember the sudden sweetness of look when any
one spoke to her; the prompt attention, the quick comprehension of
things before you uttered them, the obliging readiness to leave for
you whatever she was doing.
To those who mistake occasional pensiveness for melancholy, it
might seem strange to say that my Aunt Mary was always happy. Yet
she was so. Her spirits never rose to buoyancy, and never sunk
to despondency. I know that it is an article in the sentimental
confession of faith that such a character cannot be interesting. For
this impression there is some ground. The placidity of a medium,
commonplace mind is uninteresting, but the placidity of a strong
and well governed one borders on the sublime. Mutability of emotion
characterizes inferior orders of being; but He who combines all
interest, all excitement, all perfection, is “the same yesterday,
to-day, and forever.” And if there be anything sublime in the idea of
an Almighty Mind, in perfect peace itself, and, therefore, at leisure
to bestow all its energies on the wants of others, there is at least
a reflection of the same sublimity in the character of that human
being who has so quieted and governed the world within that nothing
is left to absorb sympathy or distract attention from those around.
Public-domain text, read in full here on John Shaqi.
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