Denis, Abbey de Saint, 38.
Denis, Saint, 40.
Dieppe, viii.
Dinan, ix, 85.
Dinard, ix.
Dols, ix.
Dürer, xiv.
Durrow, 106.
Ebbon, 29, 30.
Eleanor, Queen, 129.
Eloi, Saint, 40.
Francis, xvi.
Fulbert, 62, 121.
Fulda, Abbot of, 107.
Georgebus, 133.
Ghiberti, 102.
Gibbon, 55.
Glass, 44, 69.
Gothic, 9, 12, 43.
Gothic, viii, 76.
Gothic, 69.
Gregory, 19, 22.
Grey, Lady Jane, 111.
Griselda, 125.
Guibert, 64.
Haimon, Abbé, 67.
Halicarnassus, 136.
Harold, 82.
Heloise, 121.
Henry of Navarre, 56.
Herodotus, 136.
Hildebrand, 77.
Hugh of Rouen, 67.
_Imagier_, 34, 43, 47, 69.
Iona, 103.
Ivo, Saint, 63, 77.
Jerome, Saint, 50, 104.
Keats, 72.
Kells, Book of, 100.
Lactance, 50.
Laon, viii, 6, 121.
Lanfranc, 74.
Le Mans, viii, 78.
Louis VI, 39.
Louis VII, 39.
Louis the Pious, 29, 30, 107.
Louis, Saint, 10, 56, 115.
Love, Court of, 129.
Lowell, 72.
Lubin, Well of Saint, 58.
Maclou, Saint, viii.
Madonna, 31, 51, 54, 70.
Maria of Champagne, 129.
Margaret, Saint, 108.
Marlo, San, ix.
Martin, 17, 19, 20, 21, 22, 23, 24, 26.
Mathilda, 63, 79.
Mazarin, 115, 116.
Michele, Mt. San, viii.
Molière, 116, 132.
Napoleon, 71.
Naudé, 115.
Norsemen, 30, 57, 59.
Ouen, Saint, viii, frontispiece.
Paris, viii, 5, 116.
Parthenon, 17.
Patiens de Lyons, 17.
Pavia, Certosa di, 23.
Philippe le Bel, 56.
Portugal, 136.
Provence, 128.
Ravenna, 24.
Remi, Saint, 26.
Revolution, 52.
Rheims, viii, 7, 30.
Richard of Normandy, 60.
Richelieu, 115.
Rodin, 12, 53.
Rollo, 59, 73.
Rouen, viii.
Rumald, 30.
Ruskin, 12.
Saint Denis, viii.
Sebastian, Saint, 19.
Suger, 39, 46, 47, 48.
Tertullian, 50.
Thierry, Saint, 63.
Valencia, 92.
Vega, Lope de, 88.
Vega, Micaela de, 93.
Viollet-le-Duc, 12.
William I, 74, 81, 82.
FOOTNOTES:
[1] The Spaniards of Seville formally determined to build a cathedral
upon so magnificent a scale that coming ages might proclaim them mad to
have undertaken it.
[2] As our train passed Chartres an exceedingly coarse conversation
between drummers broke into a pæan to the beauty of the cathedral.
[3] I do not make myself responsible for the statement that these
restorations are photographically exact, but at least on the old lines
it has been possible to erect perfect examples of Norman architecture.
Public-domain text, read in full here on John Shaqi.
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