Flowers of Freethought (Second Series)Foote, G. W. (George William)
Religion
Flowers of Freethought (Second Series)
Foote, G. W. (George William)
Free thought
But his hardship was fond of wielding the satiric lash, and that spirit
leads to exaggeration. Bacon was not the meanest of mankind, Pope
himself did things that Bacon would never have stooped to. Nor was Bacon
the wisest and brightest of mankind. A wiser and brighter spirit was
contemporary with him in the person of "a poor player." The dullards
who fancy that Lord Bacon wrote the plays of Shakespeare have no
discrimination. His lordship's mind might have been cut out of the
poet's without leaving an incurable wound. Some will dissent from this,
but be it as it may, the _styles_ of the two men are vastly different,
like their ways of thinking. Bacon's essay on Love is cynical. The man
of the world, the well-bred statesman, looked on Love as "the child of
folly," a necessary nuisance, a tragi-comical perturbation. Shakespeare
saw in Love the mainspring of life. Love speaks "in a perpetual
hyperbole," said Bacon. Shakespeare also said that the lover "sees
Helen's beauty in a brow of Egypt," The poet knew all the philosopher
knew, and more. What Bacon laughed or sneered at, Shakespeare recognised
as the magic of the great enchanter, who touches our imaginations and
kindles in us the power of the ideal. Exaggeration there must be in
passion and imagination; it is the defect of their quality; but what are
we without them? Dead driftwood on the tide; dismantled hulls rotting in
harbor; anything that awaits destruction, to give its imprisoned forces
a chance of asserting themselves in new forms of being.
Bacon was not a Shakespeare; still, he was a very great man. His
writings are a text-book of worldly wisdom. His philosophical force
is almost proverbial. Nor was he wanting in a certain "dry" poetry.
No philosophical writer, not even Plato, equals him in the command of
illuminative metaphors; and the fine dignity of his style is beyond all
praise. The words drop from his pen with exquisite ease and felicity.
He is never in a hurry, never ruffled. He writes like a Lord Chancellor,
though with something in him above the office; and if he is now and then
familiar, it is only a slight condescension, like the joke of a judge,
which does not bring him down to the level of the litigants.
The opinions of such a man are worth studying; and as Lord Bacon is
often quoted in condemnation of Atheism, we propose to see what he
actually says about it, what his judgment on this particular theme
is really worth, and what allowance, if any, should be made for the
conditions in which he expressed himself. This last point, indeed,
is one of considerable importance. Lord Bacon lived at a time when
downright heresy, such as Raleigh and other great men of that age were
accused of, could only be ventilated in private conversation. In writing
it could only be hinted or suggested; and, in this respect, a writer's
_silence_ is to be taken into account; that is, we must judge by what he
does _not_ say, as well as by what he _does_ say.
Public-domain text, read in full here on John Shaqi.
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