Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
The Eternal Power seemed to have quitted the universe and left all
nature folded in the calm of the Eternal Peace. Around the pale blue
dome of the heavens a few pearl-colored clouds hung motionless, as
though the wind had been withdrawn to other skies. Not a crimson leaf
floated downward through the soft, silvery light that filled the
atmosphere and created the sense of lonely, unimaginable spaces. This
light overhung the far-rolling landscape of field and meadow and wood,
crowning with faint radiance the remoter low-swelling hill-tops and
deepening into dreamy half-shadows on their eastern slopes. Nearer, it
fell in a white flake on an unstirred sheet of water which lay along
the edge of a mass of sombre-hued woodland, and nearer still it touched
to spring-like brilliancy a level, green meadow on the hither edge of
the water, where a group of Durham cattle stood with reversed flanks
near the gleaming trunks of some leafless sycamores. Still nearer,
it caught the top of the brown foliage of a little bent oaktree and
burned it into a silvery flame. It lit on the back and the wings of a
crow flying heavily in the path of its rays, and made his blackness as
white as the breast of a swan. In the immediate foreground, it sparkled
in minute gleams along the stalks of the coarse, dead weeds that fell
away from the legs and the flanks of a white horse, and slanted across
the face of the rider and through the ends of his gray hair, which
straggled from beneath his soft black hat.
The horse, old and patient and gentle, stood with low-stretched neck
and closed eyes half asleep in the faint glow of the waning heat; and
the rider, the sole human presence in all the field, sat looking across
the silent autumnal landscape, sunk in reverie. Both horse and rider
seemed but harmonious elements in the panorama of still-life, and
completed the picture of a closing scene.
To the man it was a closing scene. From the rank, fallow field through
which he had been riding he was now surveying, for the last time, the
many features of a landscape that had been familiar to him from the
beginning of memory. In the afternoon and the autumn of his age he was
about to rend the last ties that bound him to his former life, and,
like one who had survived his own destiny, turn his face towards a
future that was void of everything he held significant or dear.
Public-domain text, read in full here on John Shaqi.
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