Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
She had been kneeling, trowel in hand, driving away vigorously at the
loamy earth, and, as she saw him coming, had risen and turned towards
him her face with the ancient pink bloom on her clear cheeks and the
light of a pure, strong soul in her gentle eyes. Overcome by his
emotions, he had blindly faltered out the words, "Mother, John was
among the killed!" For a moment she had looked at him as though stunned
by a blow. Then a violent flush had overspread her features, and then
an ashen pallor; after which, with a sudden proud dilating of her
form as though with joy, she had sunk down like the tenderest of her
lily-stalks, cut from its root.
Beyond the garden he came to the empty cabin and the great wood-pile.
At this hour it used to be a scene of hilarious activity--the little
negroes sitting perched in chattering groups on the topmost logs or
playing leap-frog in the dust, while some picked up baskets of chips or
dragged a back-log into the cabins.
At last he drew near the wooden stiles and saw the large house of which
he was the solitary occupant. What darkened rooms and noiseless halls!
What beds, all ready, that nobody now came to sleep in, and cushioned
old chairs that nobody rocked! The house and the contents of its attic,
presses, and drawers could have told much of the history of Kentucky
from almost its beginning; for its foundations had been laid by his
father near the beginning of the century, and through its doors had
passed a long train of forms, from the veterans of the Revolution
to the soldiers of the Civil War. Old coats hung up in closets; old
dresses folded away in drawers; saddle-bags and buckskin-leggins;
hunting-jackets, powder-horns, and militiamen hats; looms and
knitting-needles; snuffboxes and reticules--what a treasure-house of
the past it was! And now the only thing that had the springs of life
within its bosom was the great, sweet-voiced clock, whose faithful face
had kept unchanged amid all the swift pageantry of changes.
He dismounted at the stiles and handed the reins to a gray-haired
negro, who had hobbled up to receive them with a smile and a gesture of
the deepest respect.
"Peter," he said, very simply, "I am going to sell the place and move
to town. I can't live here any longer."
With these words he passed through the yard-gate, walked slowly up the
broad pavement, and entered the house.
MUSIC NO MORE.
On the disappearing form of the colonel was fixed an ancient pair of
eyes that looked out at him from behind a still more ancient pair of
silver-rimmed spectacles with an expression of indescribable solicitude
and love.
Public-domain text, read in full here on John Shaqi.
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