African Americans -- Fiction; Short stories, American; Southern States -- Social life and customs -- Fiction
“Heavens, Nelse! I’m your young Mas’ Tom. I’m Tom Hatton; don’t you know
me, boy?”
“You can’t be—you can’t be!” exclaimed the Negro.
“I am, I tell you. Don’t you remember the scar I got on my head from
falling off old Baldy’s back? Here it is. Can’t you see?” cried the
stranger, lifting the long hair away from one side of his brow. “Doesn’t
this convince you?”
“It’s you—it’s you; ’tain’t nobody else but Mas’ Tom!” and the ex-slave
and his former master rushed joyously into each other’s arms.
There was no distinction of colour or condition there. There was no
thought of superiority on the one hand, or feeling of inferiority on the
other. They were simply two loving friends who had been long parted and
had met again.
After a while the Negro said, “I’m sure the Lord must ’a’ sent you right
here to this house, so’s you wouldn’t be eatin’ off o’ none o’ these poor
white people ’round here.”
“I reckon you’re religious now, Nelse; but I see it ain’t changed your
feeling toward poor white people.”
“I don’t know about that. I used to be purty bad about ’em.”
“Indeed you did. Do you remember the time we stoned the house of old Nat,
the white wood-sawyer?”
“Well, I reckon I do! Wasn’t we awful, them days?” said Nelse, with
forced contrition, but with something almost like a chuckle in his voice.
And yet there was a great struggle going on in the mind of this black
man. Thirty years of freedom and the advantages of a Northern State made
his whole soul revolt at the word “master.” But that fine feeling, that
tender sympathy, which is natural to the real Negro, made him hesitate to
make the poor wreck of former glory conscious of his changed estate by
using a different appellation. His warm sympathies conquered.
“I want you to see my wife and boys, Mas’ Tom,” he said, as he passed out
of the room.
Eliza Hatton sat in her neatly appointed little front room, swelling with
impotent rage.
If this story were chronicling the doings of some fanciful Negro, or
some really rude plantation hand, it might be said that the “front room
was filled with a conglomeration of cheap but pretentious furniture,
and the walls covered with gaudy prints”—this seems to be the usual
phrase. But in it the chronicler too often forgets how many Negroes were
house-servants, and from close contact with their master’s families
imbibed aristocratic notions and quiet but elegant tastes.
This front room was very quiet in its appointments. Everything in it was
subdued except—Mrs. Hatton. She was rocking back and forth in a light
little rocker that screeched the indignation she could not express.
She did not deign to look at Nelse as he came into the room; but an
acceleration of speed on the part of the rocker showed that his presence
was known.
Her husband’s enthusiasm suddenly died out as he looked at her; but he
put on a brave face as he said,—
“’Lizy, I bet a cent you can’t guess who that pore man in there is.”
Public-domain text, read in full here on John Shaqi.
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