[When the ancient monkey vase was first found it was shown to an eminent
Egyptologist, not in the ordinary way as a valuable antiquity, but a few
matches were placed in it (_see_ No. 6), and it was put quietly upon the
table in front of him in the evening when the party were smoking.
However, he was not to be taken in, but at once recognised it as a
valuable antīca.]
Entering casually into conversation with my friend, I led up to the
subject of antiquities. He was expressing his views freely, and I waited
patiently. During a pause I slipped my hand into my pocket, brought out
one of the specimens and pushed it across the table towards him. A
scornful smile came over his face. “One of your forgeries, I suppose,”
he remarked. I said, “I should like to have your opinion on the object.”
He examined it carefully, and then laid it down. I passed another across
to him, and then the remaining two. One by one he discarded them, giving
it as his opinion that the large scarab was a forgery for the following
very sound reasons, bearing in mind the excellence of the old Egyptians’
work. The inscription, he said, was not very well done: the two holes on
the side were not usual in heart scarabs: the head was badly made and
turned to one side; the work on the feet was clumsy. The small scarab he
classed as imitation for the following reasons. The two antelopes are
supposed to be alike, but one is larger than the other, and has a larger
neck and ears. The branches of a tree over the back of the antelopes
were irregular in size, one being small and one large. A round eye
appears on the under surface of the scarab, which should have had a
duplicate on the opposite side. The back and head, he decided, were very
good.
The monkey, which was shown to him with a few matches placed in the
receptacle before it, was declared to be a shameless fraud, and he
wondered that I should take up my time in collecting such obvious
imitations. When he was shown the photograph which had been taken of a
common vase from the mantelpiece of a house, and compared it with the
specimen he was examining, he sarcastically inquired if I bought all my
antiquities in a cheap Jack’s booth at home. Meekly I produced the
sacred eye, which he would scarcely deign to look at, contemptuously
pushing it aside on account of a small white mark in the blue. “Have you
got any more?” he inquired. Modestly I said that I had not, when, with
some muttered remarks about the strangeness of the pursuits taken up by
people with more time on their hands than sense, he strode away.
There had gathered round us a little silent group of listeners who
seemed rather to sympathise with me, although, of course, thinking that
I had brought all this upon myself.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account