Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"To make ink, cut for yourself wood of the
thorn-trees in April or May, before they produce
flowers or leaves, and collecting them in small bundles,
allow them to lie in the shade for two, three,
or four weeks, until they are somewhat dry. Then
have wooden mallets, with which you beat these
thorns upon another piece of hard wood, until you
peel off the bark everywhere, put which immediately
into a barrelful of water. When you have
filled two, or three, or four, or five barrels with
bark and water, allow them so to stand for eight
days, until the waters imbibe all the sap of the bark.
Afterwards put this water into a very clean pan, or
into a cauldron, and fire being placed under it, boil
it; from time to time, also, throw into the pan some
of this bark, so that whatever sap may remain in it
may be boiled out. When you have cooked it a
little, throw it out, and again put in more; which
done, boil down the remaining water unto a third
part, and then pouring it out of this pan, put it
into one smaller, and cook it until it grows black
and begins to thicken; add one third part of pure
wine, and putting it into two or three new pots,
cook it until you see a sort of skin show itself on
the surface; then taking these pots from the fire,
place them in the sun until the black ink purifies itself
from the red dregs. Afterwards take small
bags of parchment carefully sewn, and bladders,
and pouring in the pure ink, suspend them in the
sun until all is quite dry; And when dry, take from
it as much as you wish, and temper it with wine
over the fire, and, adding a little vitriol, write.
But, if it should happen through negligence that
your ink be not black enough, take a fragment of
the thickness of a finger and putting it into the
fire, allow it to glow, and throw it directly into the
ink."
After reciting many receipts which pertain to other
arts, this good old monk concludes:
"When you shall have re-read this often, and
have committed it to your tenacious memory, you
shall thus recompense me for this care of instruction,
that, as often as you shall successfully have
made use of my work, you pray for me for the pity
of omnipotent God, who knows that I have written
these things which are here arranged, neither
through love of human approbation, nor through
desire of temporal reward, nor have I stolen anything
precious or rare through envious jealousy, nor
have I kept back anything reserved for myself
alone; but, in augmentation of the honour and
glory of His name, I have consulted the progress
and hastened to aid the necessities of many men."
Public-domain text, read in full here on John Shaqi.
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