Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
INK SECRETAS OF THE TWELFTH CENTURY COMPARED WITH
EARLIER ONES--APPEARANCE OF TANNO-GALLATE OF
IRON INK IN THE TWELFTH CENTURY--ITS INTRODUCTION
LOCATES THE EPOCH WHEN THE MODERN INK OF
TO-DAY FIRST CAME INTO VOGUE--ITS APPROVAL AND
ADOPTION BY THE FATHERS OF THE CHURCH--THE
INVENTION NOT ITALIAN BUT ASIATIC--ITS ARRIVAL
FROM ASIA FROM THE WEST AND NOT THE EAST--APPEARANCE
ABOUT THE SAME TIME OF LINEN OR MODERN
PAPER--SETTLEMENT OF OLD CONTROVERSIES ABOUT
ANCIENT SO-CALLED COTTON PAPER-DE VINNE'S COMMENT
ABOUT PAPER AND PAPER-MAKING--CURIOUS
CONTRACT OF THE FOURTEENTH CENTURY.
THE "Secretas" of the twelfth century, in so far as
they relate to methods of making ink, indicate many
departures from those contained in the more ancient
ones. Frequent mention is made of sour galls, aleppo
galls, green and blue vitriol, the lees of wine, black
amber, sugar, fish-glue and a host of unimportant materials
as being employed in the admixture of black
inks. Combinations of some of these materials are
expressed in formulas, the most important one of
which details with great particularity the commingling
together of an infusion of nut-galls, green vitriol (sulphate
of iron) and fish-glue (isinglass); the two first
(tanno-gallate of iron) when used alone, forms the sole
base of all unadulterated "gall" inks.
Dates are appended to some of these ink and other
formulas. The "tanno-gallate of iron" one has, however,
no date. But as it appears closely following
a date of A. D. 1126, it must have been written about
that time.
Documents, public and private, bearing dates nearly
contemporary with that era, written in ink of like
type, are still extant, confirming in a remarkable
degree the "Secreta" formula, and establishing the
fact that the first half of the twelfth century marks
the epoch in which the "gall" or modern ink of today
came into vogue.
Its adoption by the priests stamped it with the
seal of the Church and the arrival from the West
about the same period of flax or linen paper with the
added fact that these assimilated so well together,
later placed them both on the popular basis which
has continued to the present time.
While the Secreta which contains the "gall" ink
formula is of Italian origin, the invention of this ink
belongs solely to an Asiatic country, from whence in
gradual stages by way of Arabia, Spain and France,
it finally reached Rome. Thence, through the Church,
information about it was conveyed to wherever civilization
existed.
Public-domain text, read in full here on John Shaqi.
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