Fountains of Papal RomeMacVeagh, Fanny Davenport Rogers
History
Fountains of Papal Rome
MacVeagh, Fanny Davenport Rogers
Fountains -- Italy -- Rome
The devotion of the Romans to Clement’s successor (the Farnese pontiff,
Paul III) was in great part due to their recognition of the fact that
his pontificate represented a sustained and gallant attempt to restore
to his people their lost prestige--that _figura_ so dear to the Roman
heart. With the death of the old patrician the deplorable condition of
the city once more asserted itself and men realized more keenly than
ever the permanent devastation wrought by the sack. Posterity gains
some faint idea of its horrors from the autobiography of Benvenuto
Cellini. It is indebted to him for the dramatic description of the
death of the Constable de Bourbon, killed by a chance shot from the
ramparts when, in the dense fog which enveloped the beleaguered
city, he was planting the scaling ladders against the walls. Four
days earlier, and during the march on Rome, the other commander of
the besieging army, the veteran George Freundsberg, had died of a
stroke of apoplexy brought on by the mutinous conduct of his troops;
so that, without leaders, forty thousand of the worst soldiery of
Europe were turned loose within the city walls--turned loose to recoup
themselves for their long arrears of wages out of everything which
the taste, learning, and moral sense of civilized man has always
held most precious. History records that the Spanish were the most
cold-blooded, the Germans the most bestial, and the Italians the most
inventive in forms of villainy. The week of unspeakable atrocities,
wanton destruction, and wholesale pillage came to an end; but when
it did, that marvellous treasure-house of civilization--Rome of the
Renaissance--had perished, and the place thereof was to know her
no more. It was no wonder that, during the decade which followed,
Rome--what was left of her--seemed hardly to breathe. When, during the
pontificate of Paul III she began to revive, it was plain to all men
that she was not, and could never be, the same. Life came back to her
at last, not through æsthetic but through ethical channels.
Public-domain text, read in full here on John Shaqi.
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