Scene 2: Meditation chamber the same as Scenes 3 and 10 of Play
1. Benedictus warns Maria that Johannes must be free. She resolves
to look back upon past incarnations.
Scene 3: Johannes and his painting. Maria resolves not to hinder his
freedom by her love.
Scene 4: As Scene 1. Capesius and Strader.
Scene 5: Capesius at the Balde's cottage. Dame Felicia's
fable. Johannes and his double.
Scene 6: The 14th century. The meadows by the Castle of the Mystic
Knights. Country folk. The Jew. Thomas confesses to the Monk his love
for Keane's daughter.
Scene 7: Same period. The Interior of the Castle. The Grand Master
and Council. The Monk's demand. The apparition of his late Master,
Benedictus.
Scene 8: Same period. Keane has discovered that Thomas and his
sweetheart are the children of the 1st Preceptor and informs the 1st
Preceptor of the fact. The scene closes with a discussion on evolution,
and the inspired warning of the Second Master of Ceremonies.
Scene 9: Same period. The Keanes. Dame Keane's fable. The Country
folk. Thomas and Cecilia.
Scene 10: Scene same as Scene 5. The return to the present
day. Explanation of Scenes 6 to 9.
Scene 11: Meditation chamber as in Scene 2. Maria defeats Ahriman.
Scene 12: The same. Johannes and Lucifer.
Scene 13: The Temple of the Sun. Destiny.
PERSONS, FORMS, AND FEATURES
The spiritual and psychic experiences of the characters appearing in
this "Soul's Probation" are a continuation of the experiences given
in the scenes of "The Portal of Initiation," and the events related
occur several years later.
Benedictus }
Theodosius } Hierophants of the Temple of the Sun.
Romanus }
Professor Capesius.
Philia } The spiritual beings who facilitate the connection
Astrid } between the Soul and the Cosmos. They are not
Luna } allegorical, but are realities for the spirit Seer.
The Other Philia, The spiritual being who hinders the connection
between the Soul and the Cosmos.
The Voice of Conscience, not allegorical, but a reality, for the
spirit Seer.
Maria.
Johannes Thomasius.
Doctor Strader.
Felix Balde.
Felicia, his wife.
The 'Double' of Johannes Thomasius.
Lucifer.
Ahriman.
The events of the Sixth to the Ninth Scenes contain the spiritual
vision of Capesius into his former life. Maria and Johannes share
the experiences at the same time; but Strader's former incarnation
is only seen by Capesius, Maria, and Johannes.
These scenes back into the fourteenth century are conceived as
results of imaginative cognition, and in the physical world are only
recognizable by their effect. The way in which a life is repeated
(from occurrences of the fourteenth century into the present day)
should not be taken arbitrarily, but merely as what may happen at any
turning point of time. These conflicts and consequences of a former
life are only possible at such a time.
The Vision of Capesius into the Fourteenth Century
Public-domain text, read in full here on John Shaqi.
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