Precisely at nine o'clock the monks assemble in the cathedral to
celebrate high mass; and the congregation being already met, the
tapers are lit, the deacon begins to read, the clergy take up the
responses, and the officiating priest, arrayed in his shining cope and
cap, recites the old and mystical forms of Slavonic prayer and praise.
Two hours by the clock we stand in front of that golden shrine; stand
on the granite pavement--all uncovered, many unshod--listening with
ravished ears to what is certainly the noblest ceremonial music of the
Russian Church.
High mass being sung and said, we ebb back slowly from the cathedral
into the long gallery, where we have a few minutes more of purgatorial
fire, and then a monk announces dinner, and the devoutest pilgrim in
the band accepts his signal with a thankful look.
The dining-hall to which we adjourn with some irregular haste is a
vaulted chamber below the cathedral, and in any other country than
Russia would be called a crypt. But men must build according to their
clime. The same church would not serve for winter and summer, on
account of the cold and heat; and hence a sacred edifice is nearly
always divided into an upper and a lower church; the upper tier being
used in summer, the lower tier in winter. Our dining-hall at Solovetsk
is the winter church.
Long tables run down the room, and curl round the circular shaft which
sustains the cathedral floor. On these tables the first course is
already laid; a tin plate for each guest, in which lies a wooden
spoon, a knife and fork; and by the side of this tin platter a pound
of rye bread. The pilgrims are expected to dine in messes of four,
like monks. A small tin dish is laid between each mess, containing one
salted sprat, divided into four bits by a knife, and four small slices
of raw onion. To each mess is given a copper tureen of sour quass, and
a dish of salt codfish, broken into small lumps, boiled down, and left
to cool.
A bell rings briskly; up we start, cross ourselves seven times, bow
towards the floor, sit down again. The captain of each mess throws
pepper and salt into the dish, and stirs up our pottage with the ladle
out of which he drinks his quass. A second bell rings; we dip our
wooden ladles into the dish of cod. A reader climbs into the desk, and
drawls the story of some saint, while a youth carries round a basket
of white bread, already blessed by the priest and broken into bits.
Each pilgrim takes his piece and eats it, crossing himself, time after
time, until the morsel gets completely down his throat.
Public-domain text, read in full here on John Shaqi.
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